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Volu m e II - Purdue University Calumet

Volu m e II - Purdue University Calumet

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Fosco tells Sir Percival that Marian is unlike other women: she is as strong and intelligent as a man. He says<br />

that Sir Percival cannot treat Marian as he treats Laura and other traditional Victorian women because she<br />

surpasses them in intelligence and courage. Instead of despising Marian for not conforming to traditional<br />

Victorian femininity, Fosco argues that she is superior to Laura and that he and Sir Percival should treat her<br />

as their equal. The contradiction of Walter‟s comment that Marian is a “good angel” (643) and Fosco‟s<br />

assertion that Marian is comparable to a man demonstrates a new type of woman. Marian‟s masculine<br />

qualities, however, do not threaten the men in the novel, and this explains why Fosco and Walter adore<br />

her.<br />

Marian is intelligent, independent and powerful, but she does not threaten patriarchal authority.<br />

Thus, British Victorian society and the other characters in the novel view her deviation from the feminine<br />

ideal as non-threatening, and they love her for her unusual masculinity. Fosco confesses his love for Marian<br />

when he says that she is,<br />

the magnificent creature who is inscribed on my heart as „Marian‟—who is known in the<br />

colder atmosphere of Society, as „Miss Halcombe.‟ . . . Just Heaven! with what<br />

inconceivable rapidity I learnt to adore that woman. At sixty, I worshipped her with the<br />

volcanic ardour of eighteen. (614-615)<br />

Since Fosco is the villain of the novel, his attraction to Marian is suspicious and alarming. His love for her,<br />

however, redeems him and emphasizes his effervescent charm. In Margaret Oliphant's review, "Sensation<br />

Novels" she argues that<br />

[Fosco] is more real, more genuine, more Italian even, in his fatness and size, in his love of<br />

pets and pastry, than the whole array of conventional Italian villains, elegant and subtle,<br />

whom we are accustomed to meet in literature. (567)<br />

Oliphant, as well as most readers of The Woman in White, cannot help but love Fosco, and his love for<br />

Marian emphasizes the charm of her own unusual qualities. In addition to Fosco, Walter also harbors a deep<br />

338

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