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Volu m e II - Purdue University Calumet

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Caitlin Schmitt<br />

Carroll <strong>University</strong><br />

“Marian was the good angel of our lives”: Feminine Power, Queen Victoria,<br />

and the New Feminine Ideal In The Woman In White<br />

In 1861 Wilkie Collins' friend, John Leech published a comic in Punch entitled, "Awful<br />

Apparition!" (Peters Illustration 15). Leech depicts Mr. Tomkins as weak and effeminate. His shocked and<br />

highly emotional face along with the activity of novel reading contrasts sharply with the powerful and<br />

dominant masculine ideal. His back is turned away from his wife, and he hunches protectively over his copy<br />

of The Woman in White. This comic is an allusion to the gender-bending that Fosco, Mr. Fairlie, and Marian<br />

exhibit throughout the novel, for Collins constructs effeminate men and masculine women. The immense<br />

popularity of The Woman in White demonstrates the Victorian readership’s fascination with breaches in<br />

traditional gender roles. Breaking the role of the traditional angel in the house ideal, Mrs. Tomkins<br />

dominates her husband, and he appears to be the fool while she is logical and intelligent. Mrs. Tomkins’<br />

assertive masculinity along with her role as the lady of the house suggests the paradox of Victorian<br />

femininity. I argue that both Queen Victoria and Wilkie Collins suggest the feminine paradox: Victoria was<br />

an angel in the house in public and a feminist in private and Collins represents the paradox through the<br />

angelic but progressive Marian Halcombe. I further argue that Victoria’s contradictory roles and Collins'<br />

characterization of Marian as a masculine but domestic woman demonstrate that feminine power is<br />

represented as a paradox.<br />

My connection between Victoria, the seemingly ideal Victorian woman, and Marian, the openly<br />

paradoxical female, brings to light the issue that the angel in the house ideal was a public persona and that<br />

the supposed ideal Victorian woman was powerful and assertive at home. Elizabeth Langland argues that<br />

Queen Victoria’s contradictory roles as a middle-class wife and mother and an independent monarch greatly<br />

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