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Volu m e II - Purdue University Calumet

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others. A character’s desire to resolve some of his/her existential issues may be so strong that they<br />

legitimize their destructive behaviors under a virtue. Becker explained in Escape from Evil,<br />

My point is that heroic expansiveness, joy, and wonder have an underside—finitude, guilt, and<br />

death—and we have to watch for this expression too. After you have melted your identity into<br />

transcending, pulsating power, what do you do to establish some kind of balance? What kind of<br />

forceful, instrumental attitude do you summon up to remarshal yourself and your grip on<br />

experience? One cannot live in the trembling smallness of awe, else he will melt away. Where is<br />

the object on which to focus one’s new self assertion—an object that is for most people a victim?<br />

That is what we have to be constantly on guard for (121).<br />

The character does not simply accept or reject a virtue, but carries on, and how they carry on may be<br />

destructive. To say a character can reject a virtue suggests the virtue failed, or did not help the character<br />

overcome their problems, when the character may be actually making destructive choices in honor of a<br />

virtue, or even a religious worldview. We should not limit how we understand a character and their<br />

choices. Literature can explore those we put down and those we dehumanize; actions legitimized by<br />

potential virtues. It can explore our guilt and comment on the underside to our virtuous intentions.<br />

Through faith, characters can immerse themselves in a transcendental idea of a group or a leader, or<br />

characters can attempt to emerge as the hero within this transcendental worldview. Perhaps characters<br />

instead immerse themselves in their communities and the lives of their family and/or friends, or want to<br />

appear special among their community, family, and friends, illustrating the types of solutions relational<br />

theology can bring to both characters, and readers. Or perhaps, to deal with their shortcomings and their<br />

finitude, the character will accept life’s problems and mysterious, and attempt to do something meaningful,<br />

something heroic, for the greater good, as they see it. In all of these possible virtues and worldviews that<br />

can be explored in a text is the potential for destructive outcomes, because narrative reflects life. In a<br />

larger project for the future, I plan to expand on exploring the destructive potential of the worldviews<br />

194

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