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Volu m e II - Purdue University Calumet

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Celia’s. Rosalind’s father has been banished and this clothing choice denotes that she possesses less wealth<br />

than she had before her father’s expulsion from the court. After devising and following through with their<br />

plan to escape, Rosalind, accompanied by Celia and Touchstone, enters the forest with her costume quite<br />

changed. Rosalind now sports a man’s attire, donning a shirt and vest, long pants, trench coat, hat, and tie.<br />

Her hair is also cut low. While her demeanor is still effeminate upon arrival in Arden, it is noticeable that<br />

she is becoming more confident. The male clothing affords her more freedom that she had seen in the<br />

court, and she is thus able to do whatever she feels like rather than worry about suffering the consequences<br />

of her actions at the hands of her uncle. Rosalind acts outside of herself; because she has no serious rules to<br />

observe as a man in the forest, she pushes boundaries that one would not expect of a woman.<br />

Another method that McAnuff employs to demonstrate the change Rosalind goes through is stage<br />

business. This change can be noted concurrently with her first meeting with Orlando de Boys and it is<br />

thought that this meeting is what prompts Rosalind’s shift in character. Before she meets Orlando,<br />

Rosalind is portrayed as a quiet, submissive woman as opposed to her cousin. However, when Rosalind<br />

meets Orlando, everything about her seems to come alive. In the beginning of the play, Rosalind does not<br />

yet have a very distinctive personality; she is a regular girl who is not very talkative and does not express<br />

great interest in anything. For example, when Le Beau tells the girls about the upcoming wrestling match,<br />

Rosalind does not meet the idea with interest. She looks quite disgusted when the topic of rib breaking<br />

comes up. “But is there any else longs to see this broken / music in his sides? Is there yet another dotes<br />

upon / rib-breaking?” (Shakespeare 1.2.141-3). The next emotion that she takes on is that of fear when her<br />

uncle, Duke Frederick, comes in. This fear is clearly noted in the way that she flees to her cousin and clings<br />

to her side. It is not until she meets Orlando that Rosalind begins her transformation from a timid young<br />

girl to a more confident person. As Rosalind and Celia congratulate Orlando for defeating Charles the<br />

wrestler, Orlando and Rosalind share a look of love. Rosalind presents Orlando with a necklace to<br />

congratulate him on the win, and in this moment, they stare into each other’s eyes. McAnuff dramatizes<br />

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