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Volu m e II - Purdue University Calumet

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affection for Marian. Similarly, the British public adored her, and the male readers fell in love with her.<br />

This demonstrates that Victorian men unconsciously desired intelligent and strong women instead of the<br />

traditional angel in the house.<br />

Marian possesses the main ideal qualities that men celebrate in the good Victorian women, but she<br />

also possesses the ideal qualities that men celebrate in themselves, such as intelligence and judiciousness.<br />

Marian exhibits these masculine and feminine qualities when she anxiously waits for Laura’s arrival to<br />

Blackwater Park. She confesses that,<br />

If I only had the privileges of a man, I would order out Sir Percival’s best horse instantly,<br />

and tear away on a night-gallop, eastward, to meet the rising sun—Being however, nothing<br />

but a woman, condemned to patience, propriety, and petticoats, for life, I must respect the<br />

housekeeper’s opinions, and try to compose myself in some feeble and feminine way. (200)<br />

A meek domestic angel such as Laura would not even have the passion or the strength to think about<br />

charging out of the house in the middle of the night, but Marian’s masculine senses desperately want to have<br />

the freedom to do this. Marian’s conflict is that she is a woman, and she does not have the same freedom<br />

that a man has. Considering that Marian has free will, she has the option to challenge patriarchal authority,<br />

but she chooses to conform to society’s expectations of women in this instance. Collins does not criticize<br />

Marian’s adherence to or her deviation from traditional femininity; however, he does criticize Laura, and he<br />

utilizes her to exemplify the consequences of adhering too closely to the role of the perfect angel in the<br />

house.<br />

Collins’ characterization of Laura Fairlie suggests that he wanted women to use Marian as their role<br />

model and to deviate from traditional Victorian femininity. Walter’s description of Laura demonstrates<br />

Collins’ criticism of British society’s feminine ideal, for when Walter first sees Laura she is<br />

clothed in simple muslin dress, the pattern of it formed by broad alternate stripes of<br />

delicate blue and white. A scarf of the same material sits crisply and closely round her<br />

339

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