Hebrew Printing in Sabbioneta 1 AFFO, Ireneo - Schulz-Falster Rare ...
Hebrew Printing in Sabbioneta 1 AFFO, Ireneo - Schulz-Falster Rare ...
Hebrew Printing in Sabbioneta 1 AFFO, Ireneo - Schulz-Falster Rare ...
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First and apparently only edition of a fasc<strong>in</strong>at<strong>in</strong>g <strong>in</strong>troduction and illustration<br />
of masks and costumes for carnival. The anonymous author beg<strong>in</strong>s<br />
with a brief history of the festivities related to carnival, with its roots <strong>in</strong> the<br />
Roman Saturnalia, and the theatrical costumes, disguises and masks worn<br />
for the event. Then twenty-four elaborate costumes are described <strong>in</strong> the text<br />
and illustrated on the Wnely engraved and coloured plates. Some of them<br />
resemble charades or poses more than modern costumes. The Wrst costumes<br />
are static ones, ie elaborate disguises which do not allow too much movement<br />
for the protagonist, such as the ‘liv<strong>in</strong>g dress<strong>in</strong>g table’, a sign-post, or<br />
Xower pot. Further sections show symbolic juxtapositions, or group disguises,<br />
such as a couple of slaves with their gang-master, or bear-danc<strong>in</strong>g.<br />
Then follow those disguises still popular today, adults <strong>in</strong> children’s clothes,<br />
magicians, gypsies etc.<br />
Some of the masks <strong>in</strong>volve extensive props, such as a giant head, with an<br />
elaborate face mask, or the equilibrist, where the protagonist appears to be<br />
walk<strong>in</strong>g on his hands. Children’s masks, which conclude the volume, tend<br />
to be of the more traditional variety, just based on costume, make-up and<br />
head-dress. The adults however certa<strong>in</strong>ly need some theatrical talent to pull<br />
oV the complicated disguises. Throughout historical background <strong>in</strong>formation<br />
is given.<br />
KVK and OCLC lists just two copies, Staatsbibliothek Berl<strong>in</strong> and Munich; no<br />
copies recorded elsewhere.<br />
Perpetual Peace<br />
23 CASTEL de SAINT-PIERRE, Charles-Iréné abbé de. Abrégé<br />
du Projet de Paix Perpetuelle, Inventé par le Roi Henri le Grand,<br />
Aprouvé par la Re<strong>in</strong>e Elisabeth, par le Roi Jaques son successeur,<br />
par les Republiques & par divers autres Potentats. Rotterdam, Jean<br />
Daniel Beman, 1729. £850<br />
8vo, pp. [viii], 227, [3]; title pr<strong>in</strong>ted <strong>in</strong> red and black; occasional light<br />
brown<strong>in</strong>g; contemporary half calf, sp<strong>in</strong>e gilt, sp<strong>in</strong>e label with gilt mostly<br />
removed; extremities a little rubbed, still a good copy.<br />
First edition (Wrst issue) of the abridgement of Castel de Sa<strong>in</strong>t-Pierre’s famous<br />
peace proposal, Wrst circulated <strong>in</strong> manuscript and published between<br />
1713 and 1717. In fact this is not just a condensed version of the orig<strong>in</strong>al<br />
work, but <strong>in</strong>cludes Castel de Sa<strong>in</strong>t-Pierre’s further considerations and his<br />
response to contemporary criticism.<br />
Sa<strong>in</strong>t-Pierre had jo<strong>in</strong>ed Polignac, the French ambassador, as secretary<br />
<strong>in</strong> the diYcult peace negotiations of Utrecht which concluded the great<br />
European war of the Spanish succession, and this proposal for ‘eternal<br />
peace’ between political powers was the direct outcome of this experience,<br />
even though he had started work<strong>in</strong>g on this text as early as 1708. Sa<strong>in</strong>t-<br />
Pierre proposed the establishment of a ‘European parliament’, with its seat<br />
at Utrecht, which would peacefully settle conXicts between states. It would<br />
catalogue fourteen