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Hebrew Printing in Sabbioneta 1 AFFO, Ireneo - Schulz-Falster Rare ...

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First and apparently only edition of a fasc<strong>in</strong>at<strong>in</strong>g <strong>in</strong>troduction and illustration<br />

of masks and costumes for carnival. The anonymous author beg<strong>in</strong>s<br />

with a brief history of the festivities related to carnival, with its roots <strong>in</strong> the<br />

Roman Saturnalia, and the theatrical costumes, disguises and masks worn<br />

for the event. Then twenty-four elaborate costumes are described <strong>in</strong> the text<br />

and illustrated on the Wnely engraved and coloured plates. Some of them<br />

resemble charades or poses more than modern costumes. The Wrst costumes<br />

are static ones, ie elaborate disguises which do not allow too much movement<br />

for the protagonist, such as the ‘liv<strong>in</strong>g dress<strong>in</strong>g table’, a sign-post, or<br />

Xower pot. Further sections show symbolic juxtapositions, or group disguises,<br />

such as a couple of slaves with their gang-master, or bear-danc<strong>in</strong>g.<br />

Then follow those disguises still popular today, adults <strong>in</strong> children’s clothes,<br />

magicians, gypsies etc.<br />

Some of the masks <strong>in</strong>volve extensive props, such as a giant head, with an<br />

elaborate face mask, or the equilibrist, where the protagonist appears to be<br />

walk<strong>in</strong>g on his hands. Children’s masks, which conclude the volume, tend<br />

to be of the more traditional variety, just based on costume, make-up and<br />

head-dress. The adults however certa<strong>in</strong>ly need some theatrical talent to pull<br />

oV the complicated disguises. Throughout historical background <strong>in</strong>formation<br />

is given.<br />

KVK and OCLC lists just two copies, Staatsbibliothek Berl<strong>in</strong> and Munich; no<br />

copies recorded elsewhere.<br />

Perpetual Peace<br />

23 CASTEL de SAINT-PIERRE, Charles-Iréné abbé de. Abrégé<br />

du Projet de Paix Perpetuelle, Inventé par le Roi Henri le Grand,<br />

Aprouvé par la Re<strong>in</strong>e Elisabeth, par le Roi Jaques son successeur,<br />

par les Republiques & par divers autres Potentats. Rotterdam, Jean<br />

Daniel Beman, 1729. £850<br />

8vo, pp. [viii], 227, [3]; title pr<strong>in</strong>ted <strong>in</strong> red and black; occasional light<br />

brown<strong>in</strong>g; contemporary half calf, sp<strong>in</strong>e gilt, sp<strong>in</strong>e label with gilt mostly<br />

removed; extremities a little rubbed, still a good copy.<br />

First edition (Wrst issue) of the abridgement of Castel de Sa<strong>in</strong>t-Pierre’s famous<br />

peace proposal, Wrst circulated <strong>in</strong> manuscript and published between<br />

1713 and 1717. In fact this is not just a condensed version of the orig<strong>in</strong>al<br />

work, but <strong>in</strong>cludes Castel de Sa<strong>in</strong>t-Pierre’s further considerations and his<br />

response to contemporary criticism.<br />

Sa<strong>in</strong>t-Pierre had jo<strong>in</strong>ed Polignac, the French ambassador, as secretary<br />

<strong>in</strong> the diYcult peace negotiations of Utrecht which concluded the great<br />

European war of the Spanish succession, and this proposal for ‘eternal<br />

peace’ between political powers was the direct outcome of this experience,<br />

even though he had started work<strong>in</strong>g on this text as early as 1708. Sa<strong>in</strong>t-<br />

Pierre proposed the establishment of a ‘European parliament’, with its seat<br />

at Utrecht, which would peacefully settle conXicts between states. It would<br />

catalogue fourteen

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