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Hebrew Printing in Sabbioneta 1 AFFO, Ireneo - Schulz-Falster Rare ...

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to need education, which <strong>in</strong>cludes nurture, discipl<strong>in</strong>e, and moral tra<strong>in</strong><strong>in</strong>g<br />

with a view to the formation of character and <strong>in</strong>struction. Education of<br />

small children needs to conta<strong>in</strong> a large element of discipl<strong>in</strong>e, whereas older<br />

children should be encouraged to th<strong>in</strong>k for themselves.<br />

[Provenance:] From the library of the Swedish philosopher of the Uppsala<br />

school Samuel Grubbe (1786–1853). Grubbe, who was very much <strong>in</strong><br />

the tradition of Kantian philosophy, is of particular importance as a teacher<br />

of n<strong>in</strong>eteenth century Swedish philosophers.<br />

Borst 946; Warda 219.<br />

Recipes for Lacquer and Varnish<br />

66 [LACQUER.] Neu entdeckte Lacquir-Kunst: oder<br />

Gründliche Anweisung, wie man nicht nur unterschiedliche<br />

bissher geheim gehaltene kostbare Lacquen, <strong>in</strong>sonderheit den<br />

so genannten Eisen- und raren weissen Lacq ohne grosse Mühe<br />

und Unkosten verfertigen, sondern auch den biss izo unbekanten<br />

Gummi Copal leichtlich und bald auXösen könne, nebst e<strong>in</strong>en<br />

Anhange unterschiedlicher curieuser und nützlicher Kunst-Stücke,<br />

herausgegeben von e<strong>in</strong>em curiosorum Experimentorum Amatore.<br />

Dresden and Leipzig, Johann Nicolaus Gerlach, 1742. £750<br />

8vo, pp. 112, title page <strong>in</strong> red and black, decorative <strong>in</strong>itial and woodcut<br />

head-piece; contemporary boards, extremities rubbed, jo<strong>in</strong>ts splitt<strong>in</strong>g,<br />

and head of sp<strong>in</strong>e chipped; front pastedown with manuscript notes.<br />

Later edition of an often-produced guide to workshop recipes for the production<br />

and application of lacquers and varnishes, Wrst published <strong>in</strong> 1708.<br />

Amongst others, recipes for lacquer<strong>in</strong>g engrav<strong>in</strong>gs and pa<strong>in</strong>t<strong>in</strong>gs, wooden<br />

furniture, and other surfaces are given, with details both of their composition<br />

and application. Colour recipes, both simple and marbled, gilt,<br />

perfumed, and with vary<strong>in</strong>g Wnishes are described with detailed recipes,<br />

<strong>in</strong>clud<strong>in</strong>g those us<strong>in</strong>g ‘gummi copal’, a k<strong>in</strong>d of fossilised tree res<strong>in</strong>, together<br />

with recipes for Ch<strong>in</strong>ese lacquer and Venetian lacquer, surfaces for mirrors,<br />

various types of glue, and methods for transferr<strong>in</strong>g engrav<strong>in</strong>gs onto glass.<br />

This is <strong>in</strong>terspersed with general recipes for secrets, such permanent and<br />

vanish<strong>in</strong>g <strong>in</strong>k, and medical ones, such as snuV, remedies for nose-bleeds,<br />

fever and other ailments.<br />

At the time, this k<strong>in</strong>d of <strong>in</strong>formation would have been regarded as a<br />

trade secret and the anonymous author refers to it <strong>in</strong> his <strong>in</strong>troduction. He<br />

blames the masters of the trade for keep<strong>in</strong>g this vital <strong>in</strong>formation secret,<br />

and charg<strong>in</strong>g huge sums <strong>in</strong> apprenticeship premiums, even though the basic<br />

pr<strong>in</strong>ciples could be learnt with<strong>in</strong> a week – as he sets out to prove <strong>in</strong> this<br />

manual. Despite frequent repr<strong>in</strong>ts, presumably with slightly vary<strong>in</strong>g recipes,<br />

not many copies of this workshop manual have survived.<br />

OCLC records copies at the Getty, Oberl<strong>in</strong> College, C<strong>in</strong>c<strong>in</strong>nati, Othmer Library<br />

(Philadelphia), and Harvard.<br />

susanne schulz-falster rare books

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