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ReseaRch Quality assuRance foR the futuRe a ... - Lund University

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Panel 3 – arts<br />

In musicology <strong>the</strong> average number of publications (including books) and<br />

conference papers are about 2 a year. The majority of <strong>the</strong> publications are<br />

in Swedish and published in Sweden, most of <strong>the</strong> exceptions are conference<br />

papers in English by one doctoral student and first and foremost<br />

contributions to <strong>the</strong> study of music and Nazism in Germany and Sweden<br />

by professor Andersson and research assistant Ursula Geisler, research<br />

that has resulted in a book (in Swedish) on ‘Myth and Propaganda. Music<br />

in <strong>the</strong> Service of Nazism in Sweden and Germany’ (2007). Relations<br />

between music and politics are a recurrent <strong>the</strong>me in <strong>the</strong> publications from<br />

this division of <strong>the</strong> department.<br />

Research quality: The research in semiotics which is basically <strong>the</strong> result<br />

of a one man venture, i.e. <strong>the</strong> work of Göran Sonesson, is internationally<br />

recognized.<br />

The musicological research in <strong>the</strong> field of <strong>the</strong> social and political context<br />

and role of music is leading in Sweden, and does internationally represent<br />

development of an important field of research.<br />

Research in Art and visual studies are at <strong>the</strong> national level.<br />

Relevance: Several publications in <strong>the</strong> field of art are related to exhibitions<br />

and thus examples of interaction with <strong>the</strong> world of art and galleries<br />

as it is also <strong>the</strong> case with o<strong>the</strong>r publications that analyse contemporary<br />

artists. The studies in social and political aspects of music should be<br />

highlighted as important contributions to musicology as cultural history<br />

in a broader sense than is usual in <strong>the</strong> field. In an international as well<br />

as a national perspective <strong>the</strong>se studies approach difficult questions in <strong>the</strong><br />

cultural historical memory, and some of <strong>the</strong> publications are of a popularizing<br />

character. Both art history and musicology thus relate in each <strong>the</strong>ir<br />

way to <strong>the</strong> Swedish public. The general studies in <strong>the</strong> field of images, not<br />

least <strong>the</strong> semiotic contributions, point in <strong>the</strong> direction of interesting and<br />

important interactions between areas of research that usually are far from<br />

each o<strong>the</strong>r.<br />

Vitality: The contributions to semiotics in <strong>the</strong> period under consideration<br />

in <strong>the</strong> evaluation represent a continuation of a long and steady commitment<br />

to <strong>the</strong> field that is so much more remarkable as it is mainly taken<br />

care of by one person. The research in music and politics represents an<br />

energetic renewal in <strong>the</strong> field of musicology. The uneven output in Art<br />

102

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