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Alexander : a history of the origin and growth of the art of war from ...

Alexander : a history of the origin and growth of the art of war from ...

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SPARTAN HORSE. 79re<strong>war</strong>ds, <strong>and</strong> retained <strong>the</strong> severity <strong>of</strong> <strong>the</strong>ir punishments, suchas death <strong>and</strong> loss <strong>of</strong> honor ; while some criminals were clad<strong>and</strong> treated like slaves, <strong>and</strong> had half <strong>the</strong>ir head <strong>and</strong> beardshaven ; <strong>and</strong> burial was refused to co<strong>war</strong>ds. After <strong>the</strong> Peloponnesian<strong>war</strong>, discipline declined <strong>and</strong> <strong>the</strong> state was <strong>of</strong>tenforced to resort to largesses to encourage <strong>the</strong> troops to thoseexertions <strong>the</strong>y had been in <strong>the</strong> habit <strong>of</strong> yielding as <strong>of</strong> course.The citizens still formed <strong>the</strong> body <strong>of</strong> <strong>the</strong> hoplites. Each<strong>of</strong> <strong>the</strong> five classes put on foot one or more mores or regiments<strong>of</strong> five hundred to one thous<strong>and</strong> men. Each hoplite had oneor more psiloi under his control <strong>and</strong> <strong>of</strong>ten several helots orservants. The Laconians, freedmen <strong>and</strong> sometimes <strong>the</strong> helotsserved as light troops. These became more <strong>and</strong> more numerous.At Platsea <strong>the</strong>y outnumbered <strong>the</strong> citizens seven toone.The cavalry remained poor. Citizens disqualified <strong>from</strong>service in <strong>the</strong> heavy foot entered <strong>the</strong> cavalry, which was usedmostly for scouts <strong>and</strong> patrols. Agesilaus somewhat increasedits numbers <strong>and</strong> efficiency. One mora or ile <strong>from</strong> Scirus <strong>and</strong>vicinity, where horses were abundant, was <strong>of</strong> markedly bettercharacter, <strong>and</strong> was not infrequently used inbattle, where itmore than once decided <strong>the</strong> day. And <strong>the</strong>re was a body <strong>of</strong>three hundred hippeis selected by <strong>the</strong> ephors, who were acavalry corps d' elite. The horse now rode in four ranks, agreat improvement over <strong>the</strong> former eight.The Sp<strong>art</strong>an foot stood in <strong>from</strong> eight to twelve ranks. Themanoeuvres were performed in cadenced step to <strong>the</strong> sound <strong>of</strong>fifes, <strong>and</strong> though very simjsle, were excellently devised.Butby neglecting <strong>the</strong> <strong>art</strong>s <strong>and</strong> sciences, <strong>the</strong> Sp<strong>art</strong>ans remainedstationary, <strong>and</strong> did nothing to<strong>war</strong>d improving <strong>the</strong> <strong>art</strong> <strong>of</strong> <strong>war</strong>in a <strong>the</strong>oretical sense. They could not look beyond courage<strong>and</strong> <strong>the</strong> details <strong>of</strong> tactics. They still employed <strong>the</strong> manoeuvresenumerated in a former chapter.But <strong>the</strong> wedge, pincers,

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