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Alexander : a history of the origin and growth of the art of war from ...

Alexander : a history of the origin and growth of the art of war from ...

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PREFACE.IXwe find some material in his pages. He lived in <strong>the</strong> thirdcentury.There were numberless historians <strong>of</strong> <strong>Alex<strong>and</strong>er</strong>. Very fewhave survived. Kafael Volteran quotes Clitarchus, Polycrates,Onesicritus, Antigenes Istrus, Aristobulus, Chares,Hecatseus Eritreus, Philip <strong>the</strong> Chalcidian, Duris <strong>the</strong> Samian,Ptolemy, Anticlides, Philo <strong>the</strong> Theban, Philip, Ilisangelus,Antis<strong>the</strong>nes, Meneehmus <strong>the</strong> Sicyonian, Nymphis <strong>of</strong> Ileraclea,Potamon <strong>the</strong> Mitylenaan, Sotericus Arsites, Arrian, Plutarch,Quintus Curtius. Plutarch quotes most <strong>of</strong> <strong>the</strong> above,<strong>and</strong> Callis<strong>the</strong>nes, Eratos<strong>the</strong>nes, Polyclitus, Hermippus, <strong>and</strong>Sotion, beside. Most <strong>of</strong> <strong>the</strong>se authors did not long survive<strong>the</strong>ir own era ; but <strong>the</strong>y were known to those whose workshave remained to us, <strong>and</strong> were by <strong>the</strong>m accepted or rejected,according to <strong>the</strong> credibility <strong>of</strong> each. It may be claimed thatArrian furnishes us <strong>the</strong> main body <strong>of</strong> all histories <strong>of</strong> <strong>Alex<strong>and</strong>er</strong>.O<strong>the</strong>r sources are, as it were, appendices. And this,because <strong>the</strong> trained military mind <strong>of</strong> Arrian enabled him todistinguish clearly between what was valuable <strong>and</strong> consistent,<strong>and</strong> what was manifestl}'^ incredible or unimportant.The early chapters, about <strong>the</strong> military <strong>art</strong> preceding Philip,come mainly <strong>from</strong> Herodotus, Thucydides <strong>and</strong> Xenophon.Cornelius Nepos draws a clever character, <strong>and</strong> we all knowwhat a fund <strong>of</strong> riches Plutarch lays before us, available forall purposes, if not always exact.So much for <strong>the</strong> facts.But <strong>the</strong> ancient authors rarely givemore than just <strong>the</strong> bald facts in dealing with military matters.They teU us where <strong>Alex<strong>and</strong>er</strong> went <strong>and</strong> what he did,wdth sketches <strong>of</strong> character <strong>and</strong> interesting incidents ; but<strong>the</strong>y furnish no clue to <strong>the</strong> special why <strong>and</strong> wherefore which<strong>the</strong> soldier likes to know; or if a clue, quite frequently awrong one. What to us is clear, because <strong>the</strong> <strong>art</strong> which <strong>Alex<strong>and</strong>er</strong>created has since been exp<strong>and</strong>ed by <strong>the</strong> deeds <strong>of</strong> <strong>the</strong>

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