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Alexander : a history of the origin and growth of the art of war from ...

Alexander : a history of the origin and growth of the art of war from ...

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8 HISTORY OF WAR.Cyrus, <strong>and</strong> capped all military-historical works in his wonderfulAnabasis. The same character was kept up by Polybius,Diodorus, Dionysius, Arrian, Plutarch, among <strong>the</strong>Greeks, <strong>and</strong> by Csesar, Sallust, Livy, Tacitus, NejDos, among<strong>the</strong> Romans. That <strong>the</strong> works <strong>of</strong> all <strong>the</strong>se <strong>and</strong> many o<strong>the</strong>rauthors should deal mostly with <strong>war</strong> was a necessity.It was<strong>war</strong> which was, as a rule, <strong>the</strong> precursor <strong>of</strong> advancing civilization.From <strong>the</strong> decline <strong>of</strong> Rome throughout <strong>the</strong> Middle Ages<strong>the</strong>re was no <strong>history</strong>, properly speaking.Only chronicles <strong>and</strong>p<strong>art</strong>ial notes were kept ; nor did <strong>history</strong> emerge <strong>from</strong> its hidinguntil <strong>the</strong> revival <strong>of</strong> learning <strong>and</strong> <strong>the</strong> <strong>art</strong>s in <strong>the</strong> fifteenth<strong>and</strong> sixteenth centuries.It was <strong>the</strong>n patterned, as was everythingelse, on ancient models. The invention <strong>of</strong> gunpowdergave a new direction to <strong>war</strong> <strong>and</strong> its records, though <strong>the</strong> classicalinfluence <strong>and</strong> a certain pedantry in historical work remaineduntil <strong>the</strong> eighteenth century. The systems <strong>of</strong> <strong>war</strong>p<strong>art</strong>ook <strong>of</strong> this same pedantry, with <strong>the</strong> excejotion <strong>of</strong> whatwas done by a few great masters, <strong>and</strong> it was not until <strong>the</strong>French Revolution overturned aU preconceived notions onevery subject that <strong>the</strong> <strong>art</strong> <strong>of</strong> <strong>war</strong>, as we underst<strong>and</strong> it, arose<strong>and</strong> throve. The worship <strong>of</strong> <strong>the</strong> ancient models gave way toa national sentiment, <strong>and</strong> <strong>the</strong> <strong>growth</strong> <strong>of</strong>scientific <strong>war</strong> becameassured <strong>and</strong> permanent, as well as <strong>the</strong> fruitful study <strong>of</strong> what<strong>the</strong> great captains had really done. Military <strong>history</strong> hadbeen but a record. It became an inquiry into <strong>the</strong> principlesgoverning <strong>the</strong> acts recorded.Prince Galitzin's splendid work divides <strong>the</strong> <strong>history</strong> <strong>of</strong> <strong>war</strong>into four sections :—1°. Down to 500 B. c.A. Ancient War.2°. From <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> Persian <strong>war</strong>s, 500 B. C, down to<strong>the</strong> death <strong>of</strong> <strong>Alex<strong>and</strong>er</strong>, 323 B. c.

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