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Alexander : a history of the origin and growth of the art of war from ...

Alexander : a history of the origin and growth of the art of war from ...

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402 AN AMBUSCADE.by direct assault.The description in Arrian reads somewhatas if <strong>the</strong> king had stumbled into a species <strong>of</strong> ambuscade.Even <strong>Alex<strong>and</strong>er</strong> was not beyond committing an occasionalblunder. He had before him no common antagonist, norindeed an ordinary line <strong>of</strong> defense. The rapidity <strong>of</strong> his.^,!;.SOperations at Persian Gates.marches, which had so <strong>of</strong>ten snatched <strong>the</strong> prize <strong>of</strong> victory<strong>from</strong> <strong>the</strong> grasp <strong>of</strong> his unsuspecting enemies, was here <strong>of</strong> noavail.Ariobarzanes had fully anticipated him, <strong>and</strong> lay preparedat every point to dispute his passage, in <strong>the</strong> best chosenposition, fortified by nature <strong>and</strong> by <strong>art</strong> as no obstacle <strong>Alex<strong>and</strong>er</strong>had yet encountered had been. He allowed <strong>the</strong> Macedoniansto march up <strong>the</strong> defile, which some modern travelersliken to <strong>the</strong> St. Gothard, without making <strong>the</strong> least demonstration.Barely three men could march abreast through thiscontracted path.When <strong>the</strong> head <strong>of</strong> column had reached <strong>the</strong>narrowest <strong>and</strong> most dangerous p<strong>art</strong>, before it had got near<strong>the</strong> wall, while <strong>the</strong> Macedonians were marching between twoperpendicidar walls, suddenly <strong>the</strong>y were st<strong>art</strong>led by a bitter

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