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Alexander : a history of the origin and growth of the art of war from ...

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xuPREFACE.<strong>and</strong> such exertion, mental, moral <strong>and</strong> physical, as is knownto no one but <strong>the</strong> comm<strong>and</strong>er <strong>of</strong> a great army in time <strong>of</strong> <strong>war</strong>.The simple rests upon <strong>the</strong> difficult. What is treated <strong>of</strong> inthis book is not, as a rule, <strong>the</strong> minutiae, but <strong>the</strong> larger operations,though details have sometimes to be dwelt on for <strong>the</strong>irhistorical value. What is difficult to do may be easy to narrate.There is no pretense to make this a military text-book. Itcontains nothing but what <strong>the</strong> pr<strong>of</strong>essional soldier alreadyknows. A military text-book is practically useless to <strong>the</strong> generalreader. Even Jomini acknowledged that he could notmake his books interesting except to ^pr<strong>of</strong>essionals ; <strong>and</strong> <strong>the</strong>reare now enough good text-books accessible to those who wishto study <strong>the</strong> technical side <strong>of</strong> <strong>war</strong>. But it is hoped that <strong>the</strong>presentation may commend itself to those military men whosestudies in <strong>the</strong>ir peculiar branch <strong>of</strong> <strong>the</strong> pr<strong>of</strong>ession have led<strong>the</strong>m in o<strong>the</strong>r directions, <strong>and</strong> who may wish to refresh <strong>the</strong>irknowledge <strong>of</strong> <strong>Alex<strong>and</strong>er</strong>'s campaigns, even if <strong>the</strong>y do notagree with all <strong>the</strong> conclusions reached.It is assumed by some excellent military critics that <strong>the</strong>reare no lessons to be learned <strong>from</strong> antiquity. Tliis was notwhat Frederick <strong>and</strong> Napoleon thought or said. It is certainlydifficult to develop a text-book <strong>of</strong> <strong>the</strong> modern science<strong>from</strong> ancient campaigns alone ; illustrations <strong>and</strong> parallelismsmust for <strong>the</strong> most p<strong>art</strong> be sought in <strong>the</strong> campaigns <strong>of</strong><strong>the</strong> last three centuries. But it will not do to forget thatFrederick's victory at Leu<strong>the</strong>n was directly due to his knowledge<strong>of</strong> Epaminondas' manoeuvre at Leuctra, or that <strong>the</strong>passage <strong>of</strong> <strong>the</strong> Hydaspes has been <strong>the</strong> model for <strong>the</strong> crossing<strong>of</strong> rivers in <strong>the</strong> face <strong>of</strong> <strong>the</strong> enemy ever since. All gainis bred <strong>of</strong> <strong>the</strong> successes <strong>and</strong> failures <strong>of</strong> our predecessors in<strong>the</strong> <strong>art</strong> ; it is well to know what <strong>the</strong>se were. While aU <strong>the</strong>principles <strong>of</strong> <strong>the</strong> modern science <strong>of</strong> <strong>war</strong> are not shown in <strong>the</strong>

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