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Alexander : a history of the origin and growth of the art of war from ...

Alexander : a history of the origin and growth of the art of war from ...

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4 '* ACTION, ACTION, ACTION!'*peril. For <strong>the</strong> great captain <strong>the</strong>y vary as <strong>the</strong> conditionsvary. The man who can rise superior to mere rules, <strong>and</strong>succeed, has always a spark <strong>of</strong> genius. But as <strong>the</strong>se maximsare, like those <strong>of</strong> <strong>the</strong> common law, nothing but a statement<strong>of</strong> what is <strong>the</strong> highest common sense, <strong>the</strong> genius who makesexceptions to <strong>the</strong>m does so because <strong>the</strong> circumstances <strong>war</strong>rant<strong>the</strong> exception, or because he feels that he can control circumstances.The great captain will never permit mere rides totie his h<strong>and</strong>s ; but his action will always be in general, if notspecific, accordance with <strong>the</strong>m.The one thing which distinguishes<strong>the</strong> great captains <strong>of</strong> <strong>history</strong> <strong>from</strong> <strong>the</strong> rank <strong>and</strong> file<strong>of</strong> comm<strong>and</strong>ers is that <strong>the</strong>y have known when to disregardmaxims, <strong>and</strong> that <strong>the</strong>y have succeeded while disregarding<strong>the</strong>m, <strong>and</strong> because <strong>of</strong> <strong>the</strong>ir disregard <strong>of</strong> <strong>the</strong>m. But in allcases <strong>the</strong>ir successes have proved <strong>the</strong> rule.The first requisite <strong>of</strong> oratory, said Demos<strong>the</strong>nes, is action<strong>the</strong> second, action ; <strong>the</strong> third, action. In this generation <strong>of</strong>conversational speeches <strong>the</strong> saying is less applicable to oratorythan to strategy <strong>and</strong> tactics. It is <strong>the</strong> general who canthink rapidly <strong>and</strong> move rapidly ;who can <strong>origin</strong>ate correctlines <strong>of</strong> manoeuvre, <strong>and</strong> unceasingly <strong>and</strong> skillfully follow<strong>the</strong>m, who becomes great.The few instances <strong>of</strong> Fabian tacticsare but <strong>the</strong> complement to this rule. They prove itstruth. Fabius Maximus was in one sense as active as Hannibal.It was mainly in <strong>the</strong> avoidance <strong>of</strong> armed conflict tha<strong>the</strong> differed <strong>from</strong> <strong>the</strong> great C<strong>art</strong>haginian. How, indeed, couldhe follow each movement <strong>of</strong> hiswonderful antagonist, — ashe did, — unless his every faculty was in constant action ?Incessant action is not <strong>of</strong> necessity unceasing motion ; it ismotion in <strong>the</strong> right direction at <strong>the</strong> right moment ; though,indeed, it is <strong>the</strong> legs <strong>of</strong> an army, as much as its stomach, whichenable <strong>the</strong> brain tissue <strong>and</strong> throbbing blood <strong>of</strong> <strong>the</strong> captainto conduct a successful campaign or win a pitched battle.

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