12.07.2015 Views

Alexander : a history of the origin and growth of the art of war from ...

Alexander : a history of the origin and growth of the art of war from ...

Alexander : a history of the origin and growth of the art of war from ...

SHOW MORE
SHOW LESS
  • No tags were found...

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

X.EPAMINONDAS. B. C. 371-362.Associated with one <strong>of</strong> <strong>the</strong> most notable tactical manoeuvres — <strong>the</strong> obliqueorder <strong>of</strong> battle — is <strong>the</strong> immortal name <strong>of</strong> Epaminondas. This great soldier<strong>origin</strong>ated what all skUlful generals have used frequently <strong>and</strong> to efPect, <strong>and</strong>what Frederick <strong>the</strong> Great showed in its highest perfection at Leu<strong>the</strong>n. Asalready observed, armies up to that time had with rare exceptions attacked inparallel order <strong>and</strong> fought until one or o<strong>the</strong>r gave way.At Leuctra Epaminondashad six thous<strong>and</strong> men against eleven thous<strong>and</strong> <strong>of</strong> <strong>the</strong> invincible Sp<strong>art</strong>ans.The Thebans were dispirited by many failures ; <strong>the</strong> Lacedaemonians in goodhe<strong>art</strong>. The Sp<strong>art</strong>an king was on <strong>the</strong> right <strong>of</strong> his army. Epaminondas tried adaring innovation. He saw that if he could break <strong>the</strong> Sp<strong>art</strong>an right, he wouldprobably drive <strong>the</strong> enemy <strong>from</strong> <strong>the</strong> field. He <strong>the</strong>refore quadrupled <strong>the</strong> depth<strong>of</strong> his own left, making it a heavy column, led it sharply for<strong>war</strong>d, <strong>and</strong> orderedhis centre <strong>and</strong> right to advance more slowly, so as not seriously to engage.effect was never doubtful.TheWhile <strong>the</strong> Sp<strong>art</strong>an centre <strong>and</strong> left was held in placeby <strong>the</strong> threatening attack <strong>of</strong> <strong>the</strong> Theban centre <strong>and</strong> right, as well as by <strong>the</strong> combat<strong>of</strong> <strong>the</strong> cavalry between <strong>the</strong> lines, <strong>the</strong>ir right was overpowered <strong>and</strong> crushedhaving defeated which, Epaminondas wheeled around on <strong>the</strong> flank <strong>of</strong> <strong>the</strong> Sp<strong>art</strong>ancentre <strong>and</strong> swept it <strong>and</strong> <strong>the</strong> left wing <strong>from</strong> <strong>the</strong> field.tactician had prevailed over numbers, prestige <strong>and</strong> confidence.The genius <strong>of</strong> a greatAt Mantinaea,nine years later, Epaminondas practiced <strong>the</strong> same manoeuvre with equal success,but himself fell in <strong>the</strong> hour <strong>of</strong> victory.This greatTheban, above almost all o<strong>the</strong>rs, has stampedhis name upon <strong>the</strong> military <strong>art</strong> as one <strong>of</strong> <strong>the</strong> world's early tacticians.To him is due <strong>the</strong> invention <strong>of</strong> a manoeuvre to <strong>the</strong> use<strong>of</strong> which many generals, <strong>and</strong> <strong>Alex<strong>and</strong>er</strong> <strong>and</strong> Frederick peculiarly,owe a number <strong>of</strong> <strong>the</strong>ir victories, — <strong>the</strong> well-known obliqueorder <strong>of</strong> battle. Up to his day, as already noted, allbattles had been fought in parallel order, or in some variation<strong>of</strong> <strong>the</strong> parallel.The " two fair daughters " Epaminondas leftbehind him were <strong>the</strong> brilliant victories <strong>of</strong>Leuctra <strong>and</strong> Mantinaea,in both <strong>of</strong> which he put this manoeuvre into use.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!