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UNESCO Ancient Civilizations of Africa (Editor G. Mokhtar)

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Pharaonic<br />

Egypt<br />

Joppa by General Djehuty who concealed his men in sacks and smuggled<br />

them into the beleaguered city, much as in the tale <strong>of</strong> Ali Baba and the<br />

forty thieves.<br />

Thutmose III was followed by two able and energetic Pharaohs, Amenhotep<br />

II and Thutmose IV, the latter being closely connected with the<br />

kingdom <strong>of</strong> Mittani for he married the daughter <strong>of</strong> the royal house. It was<br />

this lady, under her Egyptian name <strong>of</strong> Mut-em-Wa, who appears on<br />

the monuments as the Pharaoh's chief queen and the mother <strong>of</strong> Amenhotep<br />

III.<br />

When Amenhotep III succeeded his father he was probably already<br />

married to his principal queen, Teye. The young king's accession to the<br />

throne came at a time when, thanks to some two centuries <strong>of</strong> unparalleled<br />

achievement both at home and abroad, the country was at the peak <strong>of</strong> its<br />

political power, and was economically prosperous and culturally developed.<br />

Moreover, the world was at peace and both the Pharaoh and his people<br />

could enjoy the many pleasures and luxuries which life now had to <strong>of</strong>fer<br />

them. It seems that Amenhotep III was little interested in maintaining his<br />

power abroad, though he did endeavour to retain his northern vassal states<br />

and allies by means <strong>of</strong> liberal gifts <strong>of</strong> Nubian gold. Towards the end <strong>of</strong> his<br />

reign, as is evident from the Tell-el-Amarna letters, 33 the absence <strong>of</strong> a show<br />

<strong>of</strong> military force encouraged energetic men to scheme for independent<br />

power and to revolt against Egyptian authority. Amenhotep III, however,<br />

seems not to have been unduly concerned. It was as a builder and patron<br />

<strong>of</strong> the arts that he earned his reputation for magnificence. To him we owe<br />

the Luxor temple, which is considered the most beautiful <strong>of</strong> all the<br />

constructions <strong>of</strong> the New Kingdom, other large buildings at Karnak, and<br />

many others both in Egypt and elsewhere such as at Soleb in Nubia.<br />

Though the cult <strong>of</strong> Aton began under Amenhotep III, its growth seems<br />

to have had little effect on the worship <strong>of</strong> the other gods until later in his<br />

reign, possibly not until the thirtieth year <strong>of</strong> the reign, the probable date<br />

when his son Amenhotep IV (later known as Akhenaton) became co-regent.<br />

Physically weak, with a frail, effeminate body, the new king had in him the<br />

makings <strong>of</strong> neither soldier nor statesman. He was mostly concerned with<br />

matters <strong>of</strong> the mind and spirit or, rather, his own mind and spirit.<br />

Exulting in the epithet He-who-lives-on-Truth, he sought an ever closer<br />

and more harmonious relationship with nature and in religion a more direct<br />

and rational relationship with his deity. 34<br />

In his youthful fanaticism, Amenhotep IV instituted a radical change <strong>of</strong><br />

33. Three hundred and seventy-seven cuneiform tablets found in the ruins <strong>of</strong> the Record<br />

Offices at the capital and consisting chiefly <strong>of</strong> correspondence between Amenhotep III and<br />

Akhenaton, and the kings <strong>of</strong> Hatti, Arzawam, Mittania, Assyria, Babylonia, Cyprus and the<br />

city rulers <strong>of</strong> Palestine and Syria. On these texts, see W . F. Albright, 1973.<br />

34. Amenhotep IV - Akhenaton - and his period have recently been covered in numerous<br />

publications, including C. Aldred, 1968.<br />

IOI

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