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UNESCO Ancient Civilizations of Africa (Editor G. Mokhtar)

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<strong>Ancient</strong> <strong>Civilizations</strong> <strong>of</strong> <strong>Africa</strong><br />

question, which involves more especially a survey <strong>of</strong> the Donatist schism<br />

and, <strong>of</strong> course, <strong>of</strong> Christian literature from Tertullian to Saint Augustine,<br />

whose personality and work were the last brilliant product <strong>of</strong> the Roman<br />

way <strong>of</strong> life in <strong>Africa</strong>. The West is indebted to him for preserving and<br />

handing down the heritage <strong>of</strong> Latin culture, as Christianity throughout<br />

the ages has been for the legacy <strong>of</strong> his doctrine, whose richness has seldom<br />

been paralleled.<br />

<strong>Africa</strong>n culture<br />

After being long neglected by writers <strong>of</strong> Roman history, the art <strong>of</strong> the<br />

provinces and outlying cultures have now become the centre <strong>of</strong> attention.<br />

This is due to a clearer understanding <strong>of</strong> the limits <strong>of</strong> romanization and<br />

the different forms it took in its contacts with indigenous societies.<br />

Furthermore, there is no denying the truth that the art <strong>of</strong> a given province<br />

cannot be dissociated from its economic, social and religious life. In this<br />

connection, it became necessary, in order to study and appreciate the art<br />

developed in the <strong>Africa</strong>n provinces under Roman rule, to take account<br />

<strong>of</strong> the enduring Libyco-Punic substratum which, moreover, continued<br />

to follow its own pattern <strong>of</strong> life and evolution for centuries.<br />

There can be no question <strong>of</strong> dealing here with the complex problems<br />

which are being tackled mainly by archaeologists. We need only refer the<br />

reader to G. Charles-Picard's book entitled La Civilisation de l'Afrique<br />

romaine, which devotes an important chapter to <strong>Africa</strong>n literature and art.<br />

We shall merely draw attention to a few points. The firstis that this<br />

<strong>Africa</strong>n culture is not indebted solely to the Phoenicians and Carthaginians<br />

for its early inspiration. When sea-faring peoples <strong>of</strong> the east began<br />

to frequent the coasts <strong>of</strong> <strong>Africa</strong> at the beginning <strong>of</strong> the first millennium<br />

before our era the country had already been penetrated, through contacts<br />

with the Mediterranean islands, by various techniques such as the one<br />

which gave rise to the painted pottery known as Kabyle or Berber. The<br />

existence at that time <strong>of</strong> sedentary populations ready to accept the rudiments<br />

<strong>of</strong> an urban form <strong>of</strong> civilization has now been demonstrated by the<br />

Algerian-Tunisian dolmens and the haounets <strong>of</strong> northern Tunisia, as well<br />

as by the objects found in the funeral monuments excavated in north-west<br />

Morocco. 41 Later the Phoenician and Punic culture, mixed with Egyptian<br />

and Oriental elements, and impregnated with hellenistic influences after<br />

the fourth century before our era, was adopted and adapted by the native<br />

population before, but mainly after, the destruction <strong>of</strong> Carthage. Lastly, the<br />

Italo-Roman contributions, being more significant and more directly<br />

imposed, inevitably generated hybrid varieties which are <strong>of</strong>ten difficult to<br />

41. Recent work has completely transformed traditional views. See, for example,<br />

G. Camps, 1960b and 1961, E. G. Gobert, pp. 1-44; J. Tixeront, pp. 1-50; P. A. Février,<br />

1967, pp. 107-23.<br />

498

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