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UNESCO Ancient Civilizations of Africa (Editor G. Mokhtar)

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<strong>Ancient</strong> <strong>Civilizations</strong> <strong>of</strong> <strong>Africa</strong><br />

represented by small lozenges. The small figure wears a plain robe flaring<br />

right down to the ankles, and a mantle covering his shoulders; on the righthand<br />

side <strong>of</strong> the naos, a masculine proper noun is written over his head in<br />

Sabaean script: 'RPS' (Rafash). The large figure wears a baggy loin-cloth<br />

with a flapfalling down behind, held in at the waist by a belt that appears<br />

to be knotted at the back with one end hanging free; a cloak thrown over<br />

his shoulders is held in place by two corners tied in a large flatknot on<br />

his chest. On the left-hand bas-relief, he is holding the object described as<br />

a fan with both hands, but on the right-hand bas-relief, he is wearing a<br />

quadruple bracelet on his left wrist and holding a sort <strong>of</strong> club in his right<br />

hand. These few differences between the two bas-reliefs do not seem significant<br />

enough for us to doubt that the two depict the same scene, the interpretation<br />

<strong>of</strong> which will be discussed later.<br />

The same site at Haoulti yielded several statues <strong>of</strong> a similar type, only<br />

one <strong>of</strong> which is almost complete. It was broken when it was found, and its<br />

pieces were scattered among those <strong>of</strong> the naos. The statue is <strong>of</strong> fine white<br />

local limestone veined with mauve, and is 82 centimetres high. It represents<br />

a seated woman with her hands on her knees, dressed in a long robe with<br />

narrow vertical pleats shown by grooves that follow the lines <strong>of</strong> her body;<br />

the neck, slightly V-shaped in front, is edged with piping, and round the<br />

hem <strong>of</strong> the robe a narrow band <strong>of</strong> plain material is edged by another line<br />

<strong>of</strong> piping. Over the robe she wears a wide necklace composed <strong>of</strong> three thick,<br />

ringed strands from which hangs a scutiform pectoral; this is counterbalanced<br />

between her shoulder-blades by an ornament in the shape <strong>of</strong> a<br />

trapeze with six vertical stems. Round each wrist is a quadruple toric<br />

bracelet. Her hands lie flat on her knees, and her bare feet rest on a little<br />

rectangular base. Her head, also bare, is intact except for her nose and right<br />

ear, and her hair is represented by rows <strong>of</strong> little lozenges. Her eyes are<br />

accented by a line in relief, her chin is fleshy, and her full cheeks form<br />

dimples round the mouth, giving it a beak-like shape and producing the<br />

effect <strong>of</strong> a smiling expression that is perhaps unintended. The statue was<br />

meant to fit into a seat, for the backs <strong>of</strong> the legs are flattened and have a<br />

vertical lug, badly damaged, in the middle. ' 2<br />

Apart from the fragments <strong>of</strong> at least two similar statues, there was a<br />

headless statue, less delicately executed than the one described above but<br />

otherwise differing from it only because its sole ornament was the threestranded<br />

necklace and it was seated on a small stool decorated with a bar.<br />

The posture <strong>of</strong> the Haoulti statues recalls that <strong>of</strong> a statuette discovered<br />

accidentally with miscellaneous other antiquities at Addi Galamo, on the<br />

western edge <strong>of</strong> the Tigre plateau (a site formerly known as Azbi Dera,<br />

or Haouilé Assaraou). 13 The statuette is only about 40 centimetres high,<br />

12. H. de Contenson, 1962, pp. 68-83; J- Pirenne, 1967, pp. 125-33.<br />

13. A. Shiferacu, pp. 13-15; A. Caquot and A. J. Drewes, pp. 18-26, Plates V-VIII;<br />

J. Doresse, 1957, pp. 64-5.<br />

346

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