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UNESCO Ancient Civilizations of Africa (Editor G. Mokhtar)

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West <strong>Africa</strong> before the seventh century<br />

from these levels are also described by the investigator as 'fitting well with<br />

historic and modern Dyola practices', while the sequence <strong>of</strong> pottery types<br />

links the ancient and the nearby modern middens.<br />

On our present view, this sequence seems too recent to shed much light<br />

on the origins <strong>of</strong> wet rice agriculture in the area. It may be useful, however<br />

to note here that according to Portères, 63 Senegambia was a secondary<br />

centre <strong>of</strong> Oryza glaberrima propagation, the primary centre being somewhere<br />

near the middle Niger.<br />

The lower Casamance sites appear to represent an advanced stage <strong>of</strong><br />

wet rice cultivation. At this time the use <strong>of</strong> iron tools makes it possible<br />

to reclaim mangrove swamps and ridge heavy alluvial clay soils for paddy<br />

fields. We may in fact do well to look for the first centres <strong>of</strong> Oryza glaberrima<br />

cultivation in the looser soils <strong>of</strong> drained inland valleys where it would have<br />

been possible to cultivate dry land or mountain rice by broadcasting or<br />

punch-hole planting after clearing by girdling the trees with stone<br />

implements.<br />

What actually happened can only be discovered, if at all, by means <strong>of</strong><br />

more full-scale archaeological investigations <strong>of</strong> key areas. In any case it<br />

is now known that recognizable aspects <strong>of</strong> Dyola culture were already<br />

present from Period II onwards. Groups lived on sandy ridges in or near<br />

alluvial valleys, just as they do today, depositing their rubbish in particular<br />

spots. There it accumulated in regular middens, which contain pottery<br />

fragments and other refuse comparable with Dyola material culture.<br />

Throughout the sequence the ceramic tradition <strong>of</strong> lower Casamance<br />

emphasized incised, punctuated and impressed rather than painted<br />

decorations and utilitarian rather than ornamental or ceremonial shapes.<br />

Whether or not these Casamance people buried pots with their dead remains<br />

unknown, since no graves were found in or near the sites.<br />

It has been suggested by scholars such as Arkell that the West <strong>Africa</strong>n<br />

iron working traditions described above were derived from Egypt or Nubia,<br />

whilst others, such as Mauny, favour Carthage. But the proponents <strong>of</strong><br />

such views fail to appreciate, among other things, the fundamental<br />

difference in the way iron metallurgy developed in the two areas. In Egypt<br />

and Nubia the transition to the iron age was achieved through the working<br />

<strong>of</strong> copper, gold, silver and meteoric iron in the predynastic period, and<br />

then <strong>of</strong> terrestrial iron. In contrast, the centres <strong>of</strong> ancient iron working<br />

in <strong>Africa</strong> south <strong>of</strong> the Sahara appear to have progressed straight from stone<br />

to iron, with little or no copper or bronze except perhaps in Mauretania.<br />

In fact copper and bronze were later worked in much the same way as<br />

iron, whereas in Egypt and Nubia copper and iron were worked by very<br />

different methods. Available dating evidence gives no more support to<br />

either variant <strong>of</strong> the diffusion theory <strong>of</strong> iron working than does directly<br />

retrieved cultural evidence. It appears, for instance, that the Garamantes<br />

63. A. Portères, 1950.<br />

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