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UNESCO Ancient Civilizations of Africa (Editor G. Mokhtar)

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<strong>Ancient</strong> <strong>Civilizations</strong> <strong>of</strong> <strong>Africa</strong><br />

some were for decorative purposes. The Egyptian belief in certain values<br />

and especially in eternal life necessitated the manufacture <strong>of</strong> a great number<br />

<strong>of</strong> <strong>of</strong>ten decorated objects for the dead and led to a high standard <strong>of</strong><br />

perfection and artistic production.<br />

Egypt contributed, if not the invention, at least the distribution <strong>of</strong><br />

glass-making techniques to world civilization. While it is true that<br />

Mesopotamia and the civilizations <strong>of</strong> the Indus were likewise familiar at a<br />

very early time with glazing, the technique which is the basis <strong>of</strong> glassmaking,<br />

there is no evidence to suggest that they spread it abroad. The<br />

most one can suppose, therefore, is that once again there was a phenomenon<br />

<strong>of</strong> convergence and that glass-making was discovered independently both<br />

in Asia and in the Nile valley.<br />

It is certain that the Egyptians demonstrated their aptitude in the art <strong>of</strong><br />

glass-making in a relatively short time. The presence <strong>of</strong> glass beads seems<br />

to be attested in the predynastic period (c. —3500), although it is not<br />

certain that they were deliberately made by the craftsman. Glass, as such,<br />

was known in the fifth dynasty (c. —2500) and began to spread from the<br />

time <strong>of</strong> the New Kingdom (c. —1600). It was then used not only for beads<br />

but also for vases <strong>of</strong> a great variety <strong>of</strong> shapes, from the graceful stemmed<br />

chalice to vases in the form <strong>of</strong> fishes. They were usually polychromatic<br />

and always opaque. Transparent glass made its appearance under<br />

Tutankhamun (c. —1300). Starting about —700, Egyptian polychromatic<br />

glass vases, in the form called alabaster, spread throughout the Mediterranean<br />

area. They were copied by the Phoenicians, who developed their<br />

manufacture into an industry.<br />

In the later period, hieroglyphic signs, moulded in coloured glass, were<br />

set in wood or stone to make inscriptions. The techniques <strong>of</strong> the Pharaonic<br />

glass-makers were handed down to craftsmen <strong>of</strong> the hellenistic period, who<br />

invented blown glass. Alexandria then became the main centre for the<br />

manufacture <strong>of</strong> glass-ware, exporting its products as far as China. Aurelius<br />

levied a tax on Egyptian glass-ware imported into Rome. The Meroitic<br />

empire later imported some glass-ware from Alexandria but, above all,<br />

adopted its manufacturing techniques and spread them to the upper Nile<br />

valley.<br />

One <strong>of</strong> the most important industries was that <strong>of</strong> the production <strong>of</strong><br />

papyrus invented by the ancient Egyptians. No plant played a more<br />

significant role in Egypt than papyrus. Its fibres were used for boatmaking<br />

and for caulking, for the wicks <strong>of</strong> oil lamps, for mats, baskets,<br />

ropes and hawsers. The hawsers which served to moor the pontoon bridge<br />

that Xerxes tried to lay across the Hellespont were made in Egypt out <strong>of</strong><br />

papyrus fibres. When tied together in bundles, papyrus stems served as<br />

pillars in early architecture until classical architects took them as a model<br />

for their simple or clustered columns whose capitals were shaped like closed<br />

or open flowers. But, above all, papyrus was used to make 'papyrus', from<br />

which the word 'paper' is derived, undoubtedly a cognate <strong>of</strong> the ancient<br />

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