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UNESCO Ancient Civilizations of Africa (Editor G. Mokhtar)

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<strong>Ancient</strong> <strong>Civilizations</strong> <strong>of</strong> <strong>Africa</strong><br />

At Aksum, monoliths <strong>of</strong> yet another kind are scattered about in various<br />

places. These are big stone platforms, a dozen <strong>of</strong> which can be seen standing<br />

in a row in the area occupied by the giant stelae near the basilica <strong>of</strong><br />

Maryam-Tsion. Most probably they were the bases <strong>of</strong> thrones. Some are<br />

more than 2-5 metres long and have an average thickness <strong>of</strong> 40 to 50<br />

centimetres. The central part <strong>of</strong> the upper surface forms a bulge which<br />

comprises holes for holding the legs <strong>of</strong> a seat. There used to be one <strong>of</strong><br />

these bases on the Matara site. So far twenty-seven such monoliths have<br />

been listed.<br />

These thrones loomed large in Aksumite culture. They are mentioned<br />

in two inscriptions <strong>of</strong> Ezana. In the sixth century, Cosmas noted the<br />

presence <strong>of</strong> a throne close to a stele at Adulis. 'The throne has a square<br />

base.' 'It is made <strong>of</strong> excellent white marble' and 'entirely ... hewn out <strong>of</strong><br />

a single block <strong>of</strong> stone'. Both throne and stele were 'covered with Greek<br />

characters'. The inscription on the throne was composed by an Aksumite<br />

sovereign who ruled in about the third century. The significance <strong>of</strong> these<br />

monuments is not clear. Are they thrones commemorating victories? Votive<br />

seats? Symbols <strong>of</strong> regal power? They are as much <strong>of</strong> an enigma as the great<br />

stelae.<br />

The group near Maryam-Tsion is arranged so that all the thrones face<br />

east, in the same direction as the carved sides <strong>of</strong> the stelae. If this arrangement<br />

is the original one, it is possible that they were turned towards a<br />

temple which may have stood at that time on the site <strong>of</strong> the present church,<br />

where there are many ruins.<br />

The inscriptions themselves are cut into the hard stone, a kind <strong>of</strong> granite.<br />

One <strong>of</strong> Ezana's texts, which is in three different scripts - Ethiopie, south<br />

Arabian and Greek - is engraved on both sides <strong>of</strong> a stone over 2 metres<br />

high.<br />

This fondness for large-scale monuments appears to have prevailed in the<br />

case <strong>of</strong> statues too. At the beginning <strong>of</strong> the century, a flat stone was<br />

discovered at Aksum which displayed hollo wed-out footprints 92 centimetres<br />

long. The stone had been used as the plinth for a statue, probably<br />

<strong>of</strong> metal. Ezana's inscriptions say that he erected statues in honour <strong>of</strong> the<br />

divinity. One such text reads: 'As a token <strong>of</strong> gratitude to Him who begot<br />

us, Ares the Un vanquished, we have raised statues, one <strong>of</strong> gold, another <strong>of</strong><br />

silver, and three <strong>of</strong> bronze, to His glory.' No Aksumite statue has yet<br />

been recovered, but the archaeological investigations are far from complete.<br />

Few representations <strong>of</strong> animals have been discovered, either in stone or in<br />

metal. Cosmas tells us that he saw 'four bronze statues' <strong>of</strong> unicorns (no<br />

doubt rhinoceroses) 'in the royal palace'.<br />

Pottery<br />

Aksumite sites yield large quantities <strong>of</strong> terracotta vessels, some broken<br />

and others intact.<br />

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