Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a
Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a
Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a
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Boyd<br />
In order to be effective citizens <strong>and</strong> effective rhetorical be<strong>in</strong>gs, student must first<br />
learn how to carry out <strong>the</strong> negotiation between self <strong>and</strong> world” (1995, p. xv).<br />
In order to carry out <strong>the</strong>se connections between <strong>the</strong> <strong>in</strong>dividual <strong>and</strong> <strong>the</strong> world,<br />
though, “a first step <strong>in</strong> this negotiation must be to develop a clear sense of one’s<br />
own beliefs as well as a clear sense of how one’s own value system <strong>in</strong>tersects or<br />
not with o<strong>the</strong>rs, <strong>and</strong> how f<strong>in</strong>ally to communicate effectively” (Grad<strong>in</strong>, 1995, p.<br />
xv). So, students need to beg<strong>in</strong> with <strong>the</strong>ir own experiences <strong>in</strong> order to be active<br />
participants <strong>in</strong> <strong>the</strong> larger society.<br />
<strong>Critical</strong> expressivism suggests that it is through <strong>in</strong>dividual experiences that<br />
commitments are made, stances are taken, responsibility is assumed <strong>and</strong> actions<br />
are advanced—not through an ephemeral, relative subject position that can easily<br />
be seen as objectified by social structures. The more ephemeral <strong>and</strong> fragmented<br />
we see ourselves, <strong>the</strong> less ability we feel we to have to transform th<strong>in</strong>gs. Fur<strong>the</strong>r,<br />
<strong>the</strong> more fragmented we feel, <strong>the</strong> less connection we sense to communities around<br />
us. Feel<strong>in</strong>g connected to communities is an important aspect of transform<strong>in</strong>g <strong>the</strong><br />
issues that face us today. Feel<strong>in</strong>g disconnected from <strong>the</strong> self translates <strong>in</strong>to particular<br />
views on <strong>the</strong> power (or lack <strong>the</strong>reof) of one’s ability to act as well. Too often,<br />
people feel disempowered to change any of <strong>the</strong> problems <strong>the</strong>y see <strong>in</strong> <strong>the</strong> world,<br />
th<strong>in</strong>k<strong>in</strong>g that <strong>the</strong> problems are too large <strong>and</strong> must be changed by someone else.<br />
These feel<strong>in</strong>gs are also translated <strong>in</strong>to beliefs about communication. Too often<br />
students see discussions <strong>and</strong> writ<strong>in</strong>g as empty exercises that have no ability<br />
to change social situations. <strong>Critical</strong> expressivist practices can help us challenge<br />
<strong>the</strong>se views of communication. Instead of see<strong>in</strong>g communication as empty exercises<br />
or as tools to only analyze social texts ra<strong>the</strong>r than change society, students<br />
can learn to see writ<strong>in</strong>g—<strong>and</strong> social discussions—as social action—i.e., a way of<br />
be<strong>in</strong>g an agent <strong>in</strong> public discourses. When students realize <strong>the</strong>ir words matter<br />
<strong>and</strong> can have impact on social action (<strong>and</strong> can even be social action), <strong>the</strong>n <strong>the</strong>y<br />
become more aware of how important it is to take responsibility for <strong>the</strong>ir words<br />
<strong>and</strong> <strong>the</strong> work those words do <strong>in</strong> <strong>the</strong>ir communities <strong>and</strong> <strong>the</strong> lives of people.<br />
<strong>Critical</strong> expressivists’ emphasis on <strong>in</strong>dividual experiences illustrates <strong>the</strong> importance<br />
that those experiences play <strong>in</strong> one’s <strong>in</strong>teractions <strong>in</strong> <strong>the</strong> world—<strong>in</strong>clud<strong>in</strong>g<br />
<strong>the</strong> political <strong>and</strong> social problems that face us domestically <strong>and</strong> globally. Instead<br />
of see<strong>in</strong>g <strong>the</strong> <strong>in</strong>dividual as an isolated, monolithic entity whose sole <strong>in</strong>tent<br />
is to search for <strong>in</strong>ner truth, critical expressivists demonstrate that <strong>the</strong> <strong>in</strong>dividual<br />
is situated with<strong>in</strong> larger social experiences. Eschew<strong>in</strong>g <strong>the</strong> importance of <strong>in</strong>dividual<br />
experiences as postmodernism does fails to acknowledge <strong>the</strong> important<br />
work that a fairly stable concept of <strong>the</strong> <strong>in</strong>dividual plays <strong>in</strong> <strong>the</strong> beliefs we have;<br />
our lived realities of who we are <strong>and</strong> how we engage with o<strong>the</strong>rs; <strong>and</strong> <strong>the</strong> actions<br />
we take <strong>and</strong> <strong>the</strong>ir impact on o<strong>the</strong>rs. Even as <strong>the</strong>y recognize <strong>the</strong> durable quality<br />
of <strong>the</strong> <strong>in</strong>dividual, critical expressivists are aware (<strong>and</strong> work to teach students to<br />
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