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Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a

Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a

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Communication as Social Action<br />

be aware of as well) that <strong>the</strong>se beliefs <strong>and</strong> actions are socially situated <strong>and</strong> constructed<br />

over time. Learn<strong>in</strong>g how we learned <strong>and</strong> developed those beliefs <strong>and</strong><br />

how <strong>the</strong>y have solidified over time is an important step <strong>in</strong> build<strong>in</strong>g public voices<br />

that help us become active agents <strong>in</strong> public arenas, both of which are important<br />

practices <strong>in</strong> critical expressivist classrooms. We need to see both <strong>the</strong> “stable” self<br />

that is somewhat durable across time <strong>and</strong> recognize how it is constructed to be<br />

durable <strong>and</strong> <strong>the</strong> consequences of that durability.<br />

In this chapter, I analyze how critical expressivist pedagogies can help students<br />

learn to <strong>in</strong>corporate <strong>in</strong>dividual experiences <strong>in</strong>to education <strong>in</strong> order to create<br />

public voices that provide <strong>the</strong>m with agency <strong>in</strong> public arenas. <strong>Critical</strong> expressivism<br />

focuses on “conditions of language use,” not “study<strong>in</strong>g private truths”<br />

(O’Donnell, 1996, p. 437). By do<strong>in</strong>g so, critical expressivism can help students<br />

learn to situate <strong>the</strong>ir own experiences <strong>and</strong> personal narratives with<strong>in</strong> larger social<br />

arenas <strong>and</strong> take responsibility. Students can become more responsive to <strong>the</strong>ir<br />

audiences <strong>and</strong> more responsible for <strong>the</strong>ir words so that <strong>the</strong>y can see <strong>the</strong> ways<br />

communication is more than just an empty exercise. Students can “become <strong>in</strong>vested<br />

as writers when <strong>the</strong>y realize that be<strong>in</strong>g articulate when someth<strong>in</strong>g is at<br />

stake … is what launches <strong>in</strong>dividuals <strong>in</strong>to public life” (Danielewicz, 2008, p.<br />

444). Communication can be social action.<br />

THE IMPORTANCE OF PERSONAL EXPERIENCE<br />

AND PERSONAL GENRES<br />

Postmodern critics argue that expressivists def<strong>in</strong>e <strong>the</strong> <strong>in</strong>dividual much like<br />

<strong>the</strong> modernist <strong>in</strong>dividual: eternal, universal, rational, coherent, unique, <strong>and</strong> au<strong>the</strong>ntic<br />

(Judd, 2003, p. 489, Freedman, 2001, p. 206). Berl<strong>in</strong> argues that for expressivists,<br />

reality resides “with<strong>in</strong> <strong>the</strong> <strong>in</strong>dividual subject. While <strong>the</strong> reality of <strong>the</strong><br />

material, <strong>the</strong> social, <strong>and</strong> <strong>the</strong> l<strong>in</strong>guistic are never denied, <strong>the</strong>y are considered significant<br />

only <strong>in</strong>sofar as <strong>the</strong>y serve <strong>the</strong> needs of <strong>the</strong> <strong>in</strong>dividual” (Berl<strong>in</strong>, 2009, p.<br />

674). In Berl<strong>in</strong>’s estimation of expressivism, <strong>the</strong> external world serves as material<br />

for <strong>the</strong> <strong>in</strong>dividual to “underst<strong>and</strong> <strong>the</strong> self” (2009, p. 674) <strong>and</strong> “awaken <strong>in</strong> readers<br />

<strong>the</strong> experience of <strong>the</strong>ir selves” (2009, p. 675). He argues that expressivism<br />

denies “’<strong>the</strong> place of <strong>in</strong>tersubjective, social processes <strong>in</strong> shap<strong>in</strong>g reality. Instead,<br />

it always describes groups as sources of distortion of <strong>the</strong> <strong>in</strong>dividual’s true vision,<br />

<strong>and</strong> <strong>the</strong> behavior it recommends <strong>in</strong> <strong>the</strong> political <strong>and</strong> social realms is atomistic,<br />

<strong>the</strong> <strong>in</strong>dividual act<strong>in</strong>g alone’ (2009, p. 146)” (quoted <strong>in</strong> Paley, 2001, p. 190).<br />

O<strong>the</strong>r critics <strong>in</strong>sist that expressivist rhetoric <strong>and</strong> pedagogy focus “upon personal<br />

growth while ignor<strong>in</strong>g <strong>the</strong> social sett<strong>in</strong>g of <strong>the</strong> specialized skills <strong>and</strong> bodies of<br />

knowledge,” thus emphasiz<strong>in</strong>g “a naïve view of <strong>the</strong> writer … as possess<strong>in</strong>g <strong>in</strong>nate<br />

abilities to discover truth” (Fishman & McCarthy, 1992, p. 648).<br />

109

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