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Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a

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Emerson’s Pragmatic Call for <strong>Critical</strong> Conscience<br />

<strong>the</strong> mo<strong>the</strong>r of whom [we] are born” (Emerson, 1983, p. 177). We are thrown<br />

<strong>in</strong>to <strong>the</strong> exist<strong>in</strong>g world <strong>and</strong> it provides a conditioned ground for us to thrive. As<br />

Emerson states: “we are encamped <strong>in</strong> nature, not domesticated” (1983, p. 552).<br />

Self-projection is <strong>the</strong> centrifugal force that pushes us from our center, our<br />

ground<strong>in</strong>g <strong>in</strong> endoxa (everyday public knowledge), open<strong>in</strong>g an <strong>in</strong>dividual’s underst<strong>and</strong><strong>in</strong>g<br />

to different underst<strong>and</strong><strong>in</strong>gs of one’s world. In <strong>the</strong> self-project<strong>in</strong>g<br />

mode, one’s discourse <strong>and</strong> underst<strong>and</strong><strong>in</strong>g is <strong>in</strong>carnate, expansive, <strong>and</strong> ecstatic; its<br />

force pushes us up from <strong>the</strong> ground of <strong>the</strong> actual so that <strong>the</strong> private m<strong>in</strong>d emerges<br />

from self-protective modes of th<strong>in</strong>k<strong>in</strong>g imposed on it by public embodied<br />

discourse to imag<strong>in</strong>e new possibilities for be<strong>in</strong>g-<strong>in</strong>-<strong>the</strong>-world. Nei<strong>the</strong>r feature<br />

of double consciousness, <strong>the</strong> private or <strong>the</strong> public, is o<strong>the</strong>rworldly; ra<strong>the</strong>r, <strong>the</strong>y<br />

exist <strong>in</strong> a transitive network down to <strong>the</strong> molecular level: “All th<strong>in</strong>gs are <strong>in</strong> contact;<br />

every atom has a sphere of repulsion” (Emerson, 1983, p. 585). The sphere<br />

of attraction <strong>and</strong> repulsion, of clos<strong>in</strong>g one’s self off from possible threats to one’s<br />

be<strong>in</strong>g <strong>and</strong> open<strong>in</strong>g one’s self up to new possibilities for be<strong>in</strong>g, is at <strong>the</strong> heart of<br />

<strong>the</strong> undomesticated antagonism.<br />

Self-protection is <strong>the</strong> centripetal adaptive <strong>in</strong>st<strong>in</strong>ct to defend tradition <strong>and</strong><br />

<strong>the</strong> status quo—to conserve <strong>the</strong> beliefs <strong>and</strong> knowledge of <strong>the</strong> present order. It<br />

does not domesticate us because it is compensated by self-project<strong>in</strong>g <strong>in</strong>st<strong>in</strong>ct to<br />

change <strong>and</strong> transform ourselves <strong>and</strong> our relations to <strong>the</strong> environ<strong>in</strong>g world. These<br />

“strange alternation[s] of attraction <strong>and</strong> repulsion” (Emerson, 1983, p. 503) are<br />

tendencies or patterns of nature nurtur<strong>in</strong>g; <strong>the</strong>y sway between <strong>the</strong> withdraw<strong>in</strong>g<br />

(self-protection) <strong>and</strong> arrival (self-projection) to disclose <strong>the</strong> partiality of truths,<br />

which are not calculable, not measureable. The polarities are always already embodied<br />

<strong>in</strong> human discourse, cognition, <strong>and</strong> experience, <strong>and</strong>, for Emerson, <strong>in</strong>dicative<br />

of how <strong>the</strong> bra<strong>in</strong>/m<strong>in</strong>d physically operates accord<strong>in</strong>g to tendencies of<br />

human nature. The self “can not live without a world” (1983, p. 254), Emerson<br />

claims, because it is a necessary platform that resists our <strong>in</strong>st<strong>in</strong>ct to exp<strong>and</strong> outwards,<br />

to be self-reliant, to imag<strong>in</strong>e <strong>and</strong> project ameliorations for one’s future.<br />

One’s imag<strong>in</strong>ation emerges <strong>in</strong> <strong>the</strong> gravitational force that sways between <strong>the</strong><br />

private <strong>and</strong> public m<strong>in</strong>ds or selves—what Dewey calls <strong>the</strong> “<strong>in</strong>ner <strong>and</strong> outer vision,”<br />

when “possibilities are embodied … that are not elsewhere actualized”<br />

(1980, p. 268). Imag<strong>in</strong>ation is not isolated from <strong>the</strong> environ<strong>in</strong>g world, nor is<br />

it a faculty of m<strong>in</strong>d, self-conta<strong>in</strong>ed <strong>and</strong> separate from history; it is a cognitive<br />

<strong>and</strong> communicative act: “Expression of experience is public <strong>and</strong> communicat<strong>in</strong>g<br />

because <strong>the</strong> experiences expressed are what <strong>the</strong>y are because of experiences of <strong>the</strong><br />

liv<strong>in</strong>g <strong>and</strong> dead that have shaped <strong>the</strong>m” (Dewey, 1980, p. 270). Self-expression<br />

is a most human behavior, open<strong>in</strong>g our habituated public self to “an <strong>in</strong>flux of<br />

<strong>the</strong> ever new, ever sanative conscience” (Emerson, 1983, p. 256). The call of<br />

conscience emerges <strong>in</strong> <strong>the</strong> <strong>in</strong>ter-animation of private <strong>in</strong>tegrity—“noth<strong>in</strong>g at last<br />

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