Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a
Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a
Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a
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THE (UN)KNOWABLE SELF<br />
AND OTHERS: CRITICAL EMPATHY<br />
AND EXPRESSIVISM<br />
Eric Leake<br />
Texas State University<br />
The common rap aga<strong>in</strong>st expressivism is that it is solipsistic, endeavor<strong>in</strong>g<br />
to give clear expression to a personal voice speak<strong>in</strong>g an <strong>in</strong>dividual truth. In this<br />
underst<strong>and</strong><strong>in</strong>g of expressivism <strong>the</strong> social <strong>and</strong> constitutive qualities of language<br />
are largely ignored <strong>in</strong> favor of personal revelation. James Berl<strong>in</strong> aligns what he<br />
calls “expressionistic” rhetorics with Platonism <strong>and</strong> later also psychoanalysis <strong>and</strong><br />
depth psychology (1987). I also align expressivism with psychology, but <strong>in</strong> this<br />
case current underst<strong>and</strong><strong>in</strong>gs of empathy from developmental <strong>and</strong> social psychology.<br />
I do so <strong>in</strong> order to propose an underst<strong>and</strong><strong>in</strong>g of critical expressivism that<br />
builds upon critical empathy to exam<strong>in</strong>e personal underst<strong>and</strong><strong>in</strong>g <strong>and</strong> identity<br />
with<strong>in</strong> a network of social <strong>and</strong> affective connections.<br />
Any description of expressivism can be problematic because, like current-traditional<br />
rhetoric, it is a category created to encompass a constellation of more<br />
<strong>and</strong> less disparate approaches that share some key features. As Peter Elbow notes<br />
<strong>in</strong> this volume, <strong>the</strong>re are relatively few who claim to be expressivists. The label<br />
is more commonly placed on o<strong>the</strong>rs <strong>and</strong> o<strong>the</strong>r approaches <strong>in</strong> a pejorative sense.<br />
The diverse nature of those approaches is recognized by Berl<strong>in</strong>, who proposes<br />
a spectrum of expressionists, with <strong>the</strong> “anarchists” of a completely un<strong>in</strong>hibited<br />
writ<strong>in</strong>g on one end, <strong>and</strong> on <strong>the</strong> o<strong>the</strong>r “<strong>the</strong> few that are close to <strong>the</strong> transactional<br />
category—especially to epistemic rhetoric” (1987, pp. 145-146). Those few <strong>in</strong>clude<br />
Ken Macrorie, Donald Murray, <strong>and</strong> Elbow. As Berl<strong>in</strong> describes <strong>the</strong>ir br<strong>and</strong><br />
of expressivism:<br />
These rhetoricians see reality as aris<strong>in</strong>g out of <strong>the</strong> <strong>in</strong>teraction<br />
of <strong>the</strong> private vision of <strong>the</strong> <strong>in</strong>dividual <strong>and</strong> <strong>the</strong> language used<br />
to express this vision. In o<strong>the</strong>r words, <strong>in</strong> this view language<br />
does not simply record <strong>the</strong> private vision, but becomes<br />
<strong>in</strong>volved <strong>in</strong> shap<strong>in</strong>g it. The unique <strong>in</strong>ner glimpse of <strong>the</strong><br />
<strong>in</strong>dividual is still primary, but language becomes an element<br />
<strong>in</strong> its nurtur<strong>in</strong>g. This br<strong>and</strong> of expressionistic rhetoric f<strong>in</strong>ally<br />
falls short of be<strong>in</strong>g epistemic … because it denies <strong>the</strong> place of<br />
DOI: https://doi.org/10.37514/PER-B.2014.0575.2.10<br />
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