06.09.2021 Views

Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a

Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a

Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Petruzzi<br />

James, W. (1955). The pr<strong>in</strong>ciples of pyschology (R. M. Hutch<strong>in</strong>s, Ed.) (Vol. 53.).<br />

Chicago: Encyclopaedia Brittannica.<br />

James, W. (1975). Pragmatism: A new name for some old ways of th<strong>in</strong>k<strong>in</strong>g. Cambridge,<br />

MA: Harvard University Press.<br />

James, W. (1992). Writ<strong>in</strong>gs: 1878-1899 (G. E. Meyers, Ed.). New York: Library<br />

of America.<br />

Jones, D. C. (2002). John Dewey <strong>and</strong> Peter Elbow: A pragmatist revision of<br />

social <strong>the</strong>ory <strong>and</strong> practice. Rhetoric Review, 21(3), 264-281.<br />

Judd, D. (2005). <strong>Critical</strong> realism <strong>and</strong> composition <strong>the</strong>ory. New York: Routledge.<br />

Lakoff, G., & Johnson, M. (1999). Philosophy <strong>in</strong> <strong>the</strong> flesh: The embodied m<strong>in</strong>d<br />

<strong>and</strong> its challenge to western thought. New York: Basic.<br />

Lakoff, G. (2010, December). Untellable truths. Truthout.org. Retrieved from<br />

http://truth-out.org/archive/component/k2/item/93342:untellable-truths<br />

Lopez, M. (1996). Emerson <strong>and</strong> Power: Creative antagonism <strong>in</strong> <strong>the</strong> n<strong>in</strong>eteenth<br />

century. Dekalb: Nor<strong>the</strong>rn Ill<strong>in</strong>ois University Press.<br />

Mailloux, S. (1998). Reception histories: Rhetoric, pragmatism, <strong>and</strong> American cultural<br />

politics. Ithaca, NY: Cornell University Press.<br />

Marzluf, P. P. (2006). Diversity Writ<strong>in</strong>g: Natural Languages, Au<strong>the</strong>ntic Voices.<br />

College <strong>Composition</strong> <strong>and</strong> Communication, 57(3), 503-522.<br />

O’Brien, K. (2000). Romantism <strong>and</strong> rhetoric: A question of audience. Rhetoric<br />

Society Quarterly, 30(2), 77-91.<br />

O’Donnell, T. G. (1996). Politics <strong>and</strong> ord<strong>in</strong>ary language: A defense of expressivist<br />

rhetorics. College English, 58(4), 423-439.<br />

Olson, G. A. (1988.May). Social construction <strong>and</strong> composition <strong>the</strong>ory: A conversation<br />

with Richard Rorty. JAC Onl<strong>in</strong>e. Retrieved from http://www.jaconl<strong>in</strong>ejournal.com/archives/vol9/olson-social.pdf<br />

Patterson, A.H. (1997). From Emerson to K<strong>in</strong>g: Democracy, race, <strong>and</strong> <strong>the</strong> politics<br />

of protest. Oxford University Press.<br />

Peirce, C. S. (1955). Philosophical writ<strong>in</strong>gs of Peirce (J. Buchler, Ed.). New York:<br />

Dover.<br />

Petruzzi, A. P. (1996). Reread<strong>in</strong>g Plato’s rhetoric. Rhetoric Review, 15(1), 5-25.<br />

Petruzzi, A. P. (1999). The effects of <strong>the</strong> hegemony of <strong>the</strong> idea upon <strong>the</strong> underst<strong>and</strong><strong>in</strong>g<br />

of Plato’s rhetoric. Philosophy <strong>and</strong> Rhetoric, 32(4), 368-380.<br />

P<strong>in</strong>ker, S. (1997). How <strong>the</strong> m<strong>in</strong>d works. New York: Norton.<br />

P<strong>in</strong>ker, S. (2002). The blank slate: The modern denial of human nature. New York:<br />

Vik<strong>in</strong>g.<br />

Poirier, R. (1992). Poetry <strong>and</strong> pragmatism. Cambridge, MA: Harvard University<br />

Press.<br />

Ratey, J. J. (2002). A user’s guide to <strong>the</strong> bra<strong>in</strong>: Perception, attention, <strong>and</strong> <strong>the</strong> four<br />

<strong>the</strong>atres of <strong>the</strong> bra<strong>in</strong>. New York: V<strong>in</strong>tage.<br />

244

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!