Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a
Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a
Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a
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Wilson<br />
166<br />
Psychology <strong>the</strong>refore means, by derivation, ‘words’ or ‘talk<br />
about m<strong>in</strong>d.’ (1898, p. 1)<br />
Titchener def<strong>in</strong>ed m<strong>in</strong>d not as an object <strong>in</strong>side <strong>the</strong> body that ei<strong>the</strong>r holds or<br />
does th<strong>in</strong>gs to thoughts <strong>and</strong> feel<strong>in</strong>gs, but as “<strong>the</strong> sum” (1898, p. 5) of thoughts<br />
<strong>and</strong> feel<strong>in</strong>gs. In Titchener’s view, “we must not say that m<strong>in</strong>d ‘has’ thoughts<br />
<strong>and</strong> feel<strong>in</strong>gs; but that m<strong>in</strong>d is thoughts <strong>and</strong> feel<strong>in</strong>gs” (1898, p. 6). If m<strong>in</strong>d is<br />
thoughts <strong>and</strong> feel<strong>in</strong>gs, not an object, <strong>the</strong>n <strong>the</strong> only way to study m<strong>in</strong>d, <strong>the</strong> only<br />
method of <strong>the</strong> psychologist, is to look <strong>in</strong>ward <strong>and</strong> talk about thoughts <strong>and</strong> feel<strong>in</strong>gs—<strong>in</strong>trospection.<br />
To Titchener, <strong>the</strong>n, psychology’s subject was m<strong>in</strong>d <strong>and</strong> its<br />
method was <strong>in</strong>trospection.<br />
The method of <strong>in</strong>trospection had been used by Titchener’s teacher, <strong>the</strong> German<br />
philosopher Willhelm Wundt, who had had created one of <strong>the</strong> world’s first<br />
psychology laboratories <strong>in</strong> 1879. Because Titchener himself was <strong>in</strong>terested <strong>in</strong><br />
dist<strong>in</strong>guish<strong>in</strong>g psychology from philosophy <strong>and</strong> from <strong>the</strong> work of his teacher, he<br />
went to great lengths to make <strong>in</strong>trospection an objective process that took several<br />
years of tra<strong>in</strong><strong>in</strong>g: “only by look<strong>in</strong>g <strong>in</strong>ward can we ga<strong>in</strong> knowledge of mental<br />
processes; only by look<strong>in</strong>g <strong>in</strong>ward under st<strong>and</strong>ard conditions can we make our<br />
knowledge scientific” (1898, p. 32).<br />
But <strong>in</strong>trospective psychology still depended on an <strong>in</strong>dividual’s description of<br />
his private experience, an admittedly subjective basis for a field that Titchener<br />
claimed should be more objective <strong>and</strong> scientific. Titchener’s approach to this<br />
problem began with implement<strong>in</strong>g rigorous tra<strong>in</strong><strong>in</strong>g for each <strong>in</strong>trospector—he<br />
called <strong>the</strong>m “Observers”—consist<strong>in</strong>g of a series of st<strong>and</strong>ardized <strong>in</strong>trospection exercises:<br />
For example, observers <strong>in</strong> tra<strong>in</strong><strong>in</strong>g were <strong>in</strong>structed to describe what <strong>the</strong>y<br />
experienced when listen<strong>in</strong>g to certa<strong>in</strong> tones or when exposed to various lights.<br />
Titchener <strong>in</strong>vented several <strong>in</strong>struments for st<strong>and</strong>ardiz<strong>in</strong>g <strong>the</strong>se exercises himself,<br />
<strong>in</strong>clud<strong>in</strong>g a “sound cage,” a mesh of wires surround<strong>in</strong>g <strong>the</strong> head connected to<br />
a telephone receiver designed to give each Observer practice <strong>in</strong> p<strong>in</strong>po<strong>in</strong>t<strong>in</strong>g <strong>the</strong><br />
exact location of an auditory stimuli. In Class Experiments <strong>and</strong> Demonstration<br />
Apparatus, Titchener proposed a st<strong>and</strong>ard set of <strong>in</strong>struments for all psychology<br />
classrooms:<br />
whenever possible, we should call on <strong>the</strong> class to do psychology<br />
for <strong>the</strong>mselves. The demonstration apparatus which I have<br />
<strong>in</strong> m<strong>in</strong>d are, <strong>the</strong>n, apparatus which shall subserve this latter<br />
purpose: apparatus that shall st<strong>and</strong>ardise <strong>the</strong> conditions for<br />
such <strong>in</strong>trospections as <strong>the</strong> lecture-room <strong>and</strong> <strong>the</strong> lecture-hour<br />
allow. (1903, p. 440)<br />
Titchener considered Observers <strong>the</strong>mselves to be highly tra<strong>in</strong>ed scientific<br />
<strong>in</strong>struments, <strong>and</strong> he bemoaned psychology’s great disadvantage <strong>in</strong> its ability to