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Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a

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Mack<br />

<strong>the</strong>y are embedded <strong>in</strong> that most difficult of <strong>in</strong>tertextual histories<br />

to negotiate, <strong>the</strong> history of one’s own life. (2004, p. 417)<br />

I must remember that Freire cautioned that <strong>the</strong> classroom is dom<strong>in</strong>ated by<br />

<strong>the</strong> hegemony of <strong>the</strong> larger society <strong>and</strong> not really <strong>the</strong> “lever of revolutionary<br />

transformation” (Shor & Freire, 1987, p. 33). Education may not be <strong>the</strong> great<br />

equalizer for my students (or for me, for that matter), but it can help us to<br />

compose a more thoughtful draft <strong>in</strong> <strong>the</strong> endless revisions of ourselves <strong>and</strong> our<br />

lives.<br />

REFERENCES<br />

Bakht<strong>in</strong>, M. M. (1993). Toward a philosophy of <strong>the</strong> act. (V. Liapunov, Trans.).<br />

Aust<strong>in</strong>: University of Texas Press.<br />

Bean, J. (2003). Manufactur<strong>in</strong>g emotions: Tactical resistance <strong>in</strong> <strong>the</strong> narratives of<br />

work<strong>in</strong>g class students. In D. Jacobs & L. R. Micciche (Eds.), A way to move:<br />

Rhetorics of emotion & composition studies (pp. 101-112). Portsmouth, NH:<br />

Boynton/Cook.<br />

Berry, P. W. (2011). Beyond hope: Rhetorics of mobility, possibility, <strong>and</strong> literacy.<br />

(Doctoral dissertation).<br />

Black, L. J. (1995). Stupid rich bastards. In C. L. B. Dews & C. L. Law (Eds.),<br />

This f<strong>in</strong>e place so far from home: Voices of academics from <strong>the</strong> work<strong>in</strong>g class (pp.<br />

13-25). Philadelphia: Temple University Press.<br />

Bragg, R. (1997). Prologue. In All over but <strong>the</strong> shout<strong>in</strong>’ (pp. xi-xxii). New York:<br />

Pan<strong>the</strong>on Books.<br />

Brodkey, L. (1994). Writ<strong>in</strong>g on <strong>the</strong> bias. College English, 56(5), 527-547.<br />

Calk<strong>in</strong>s, L. (1986). The art of teach<strong>in</strong>g writ<strong>in</strong>g. Portsmouth, NH: He<strong>in</strong>emann.<br />

Dews, C L. B, & Law, C. L. (Eds.). (1995). This f<strong>in</strong>e place so far from home: Voices<br />

of academics from <strong>the</strong> work<strong>in</strong>g class. Philadelphia: Temple University Press.<br />

Dobson, F. E., Jr. (2002). Beyond <strong>the</strong> limits: Reflections of a Black work<strong>in</strong>g class<br />

academic. Public Voices, 5(3), 85-91.<br />

Fulkerson, R. (1990). <strong>Composition</strong> <strong>the</strong>ory <strong>in</strong> <strong>the</strong> eighties: Axiological consensus<br />

<strong>and</strong> paradigmatic diversity. College <strong>Composition</strong> <strong>and</strong> Communication, 41(4),<br />

409-429.<br />

Fulkerson, R. (2005). <strong>Composition</strong> at <strong>the</strong> turn of <strong>the</strong> twenty-first century. College<br />

<strong>Composition</strong> <strong>and</strong> Communication, 56(4), 654-687.<br />

Fulkerson, R. (1979). Four philosophies of composition. College <strong>Composition</strong><br />

<strong>and</strong> Communication, 30(4), 343-348.<br />

Freire, P. (1973). Pedagogy of <strong>the</strong> oppressed. Harmondsworth, UK: Pengu<strong>in</strong> Education.<br />

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