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Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a

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Revisit<strong>in</strong>g Radical Revision<br />

Nowacek, R. S. (2011). Agents of <strong>in</strong>tegration: Underst<strong>and</strong><strong>in</strong>g transfer as a rhetorical<br />

act. Carbondale <strong>and</strong> Edwardsville, IL: Sou<strong>the</strong>rn Ill<strong>in</strong>ois University Press.<br />

Rei<strong>the</strong>r, J. A. (1985). Writ<strong>in</strong>g know<strong>in</strong>g: Toward redef<strong>in</strong><strong>in</strong>g <strong>the</strong> writ<strong>in</strong>g process.<br />

College English, 47(6), 620-628.<br />

Sommers, J. (2011). Reflection revisited: The class collage. Journal of Basic Writ<strong>in</strong>g,<br />

30(1), 99-129.<br />

Sommers, N. (1980). Strategies of student writers <strong>and</strong> experienced adult writers.<br />

College <strong>Composition</strong> <strong>and</strong> Communication, 31(4), 278-388.<br />

Tob<strong>in</strong>, L. (1994). Introduction: How <strong>the</strong> writ<strong>in</strong>g process was born—<strong>and</strong> o<strong>the</strong>r<br />

conversion narratives. In L. Tob<strong>in</strong> & T. Newkirk (Eds.), Tak<strong>in</strong>g stock: The<br />

writ<strong>in</strong>g process movement <strong>in</strong> <strong>the</strong> 90s (pp. 1-14). Portsmouth, NH: Boynton/<br />

Cook Publishers-He<strong>in</strong>emann.<br />

Welch, N. (1997). Gett<strong>in</strong>g restless: Reth<strong>in</strong>k<strong>in</strong>g revision <strong>in</strong> writ<strong>in</strong>g <strong>in</strong>struction.<br />

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Yagelski, R. P. (1994). Who’s afraid of subjectivity? The compos<strong>in</strong>g process <strong>and</strong><br />

postmodernism or A student of Donald Murray enters <strong>the</strong> age of postmodernism.<br />

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APPENDIX: RADICAL REVISION ASSIGNMENT SHEET<br />

ASSIGNMENT #2 (RADICAL REVISION)<br />

What’s Expected?<br />

For this assignment, please produce a radical revision of Paper #1. This revision<br />

will count as a separate assignment. For example, let’s suppose that for<br />

paper #1 I’ve written an essay about my most <strong>in</strong>fluential teacher, my high school<br />

11th grade English teacher. I could cont<strong>in</strong>ue to work on that paper (Assignment<br />

#1), tell<strong>in</strong>g some new stories about my experiences that show <strong>the</strong> reader why I<br />

hold <strong>the</strong> op<strong>in</strong>ion that I do. For Assignment #2, however, I might transform that<br />

essay <strong>in</strong>to an editorial for <strong>the</strong> journal that I edit <strong>in</strong> hopes that it would <strong>in</strong>fluence<br />

teachers, I might build on it by <strong>in</strong>terview<strong>in</strong>g some of my old classmates to<br />

see what <strong>the</strong>y th<strong>in</strong>k about our old teacher, I could limit my topic by focus<strong>in</strong>g<br />

entirely on a s<strong>in</strong>gle <strong>in</strong>teraction I’d had with my teacher as I wrote a major term<br />

paper, or I could switch <strong>the</strong> essay <strong>in</strong>to a third-person description of his teach<strong>in</strong>g<br />

prowess. Any one of those four papers would be sufficiently different to count<br />

as a radical revision while still be<strong>in</strong>g recognizably about <strong>the</strong> same specific topic,<br />

my old English teacher, so I’d now have two different papers on a closely related<br />

303

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