Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a
Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a
Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a
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Revisit<strong>in</strong>g Radical Revision<br />
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APPENDIX: RADICAL REVISION ASSIGNMENT SHEET<br />
ASSIGNMENT #2 (RADICAL REVISION)<br />
What’s Expected?<br />
For this assignment, please produce a radical revision of Paper #1. This revision<br />
will count as a separate assignment. For example, let’s suppose that for<br />
paper #1 I’ve written an essay about my most <strong>in</strong>fluential teacher, my high school<br />
11th grade English teacher. I could cont<strong>in</strong>ue to work on that paper (Assignment<br />
#1), tell<strong>in</strong>g some new stories about my experiences that show <strong>the</strong> reader why I<br />
hold <strong>the</strong> op<strong>in</strong>ion that I do. For Assignment #2, however, I might transform that<br />
essay <strong>in</strong>to an editorial for <strong>the</strong> journal that I edit <strong>in</strong> hopes that it would <strong>in</strong>fluence<br />
teachers, I might build on it by <strong>in</strong>terview<strong>in</strong>g some of my old classmates to<br />
see what <strong>the</strong>y th<strong>in</strong>k about our old teacher, I could limit my topic by focus<strong>in</strong>g<br />
entirely on a s<strong>in</strong>gle <strong>in</strong>teraction I’d had with my teacher as I wrote a major term<br />
paper, or I could switch <strong>the</strong> essay <strong>in</strong>to a third-person description of his teach<strong>in</strong>g<br />
prowess. Any one of those four papers would be sufficiently different to count<br />
as a radical revision while still be<strong>in</strong>g recognizably about <strong>the</strong> same specific topic,<br />
my old English teacher, so I’d now have two different papers on a closely related<br />
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