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Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a

Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a

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Selfhood <strong>and</strong> <strong>the</strong> Personal Essay<br />

subject, <strong>the</strong>y have so much to say that it’s difficult to discipl<strong>in</strong>e<br />

<strong>the</strong>mselves <strong>in</strong>to writ<strong>in</strong>g a paper that is coherent. This is<br />

a very critical skill to be able to achieve: to be able to release<br />

your emotions <strong>and</strong> take a step back to look at a subject from<br />

a discipl<strong>in</strong>ed <strong>and</strong> impartial po<strong>in</strong>t of view. This is a skill that<br />

is required <strong>in</strong> many, if not most, types of writ<strong>in</strong>g, such as<br />

persuasive essays or debates, or even analytical <strong>and</strong> critical papers.<br />

I would argue that this skill is one of <strong>the</strong> most basic <strong>and</strong><br />

important skills to have <strong>in</strong> writ<strong>in</strong>g. The personal essay without<br />

a doubt exercises this skill, <strong>and</strong> <strong>the</strong>refore is very relevant to<br />

o<strong>the</strong>r types of writ<strong>in</strong>g.<br />

This response situates Brianna <strong>in</strong> <strong>the</strong> complex debate concern<strong>in</strong>g “transfer”<br />

from a first-year writ<strong>in</strong>g course. Her position seems to align with those who<br />

argue for <strong>the</strong> possibility of “far transfer” (Wardle, 2007): <strong>the</strong> capacity of learners<br />

to develop a meta-awareness of writ<strong>in</strong>g processes—<strong>in</strong> this case her sense of manag<strong>in</strong>g<br />

complex emotional material—that can be of use <strong>in</strong> writ<strong>in</strong>g assignments<br />

which do not closely resemble <strong>the</strong> personal essay.<br />

TOWARD A HERMENEUTICS OF RESPECT<br />

But to return to “<strong>the</strong> nervous system.” This student paper can create a discomfort<br />

for writ<strong>in</strong>g teachers, <strong>and</strong> it is important to speculate about <strong>the</strong> source<br />

of that discomfort. I would argue that it does not arise from <strong>the</strong> personal material—which<br />

for <strong>the</strong> most part is h<strong>and</strong>led with narrative skill, particularly as she<br />

describes <strong>the</strong> bodily sensation of her depression <strong>and</strong> exclusion. Her occasional<br />

use of metaphor is also compell<strong>in</strong>g (“I seemed to be <strong>the</strong> bearer of silence;” “I was<br />

a bottle of thoroughly shaken soda pop just wait<strong>in</strong>g to explode”). The reader’s<br />

discomfort does not arise from a concern about act<strong>in</strong>g <strong>the</strong> <strong>the</strong>rapist—<strong>the</strong> paper<br />

is clearly not ask<strong>in</strong>g for this. No, <strong>the</strong> discomfort most likely comes from statements<br />

like this:<br />

Or this:<br />

If <strong>the</strong>re’s one positive th<strong>in</strong>g I took from middle school, it’s<br />

that you should be a k<strong>in</strong>d person.<br />

While I will never fully recover from my trauma, I have taken<br />

away someth<strong>in</strong>g so positive that it far outweighs all <strong>the</strong> negatives<br />

of my middle school experience: k<strong>in</strong>dness <strong>and</strong> compassion.<br />

My agony has molded me <strong>in</strong>to a far better person than<br />

I could have ever been had not been so scorned <strong>and</strong> neglected.<br />

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