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Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a

Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a

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Revisit<strong>in</strong>g Radical Revision<br />

I also required students to compose a Writer’s Memo to accompany each radical<br />

revision, a metacommentary on <strong>the</strong> new draft. These reflective pieces reveal<br />

<strong>the</strong> impact of <strong>the</strong> radical revision on <strong>the</strong> students’ underst<strong>and</strong><strong>in</strong>g of <strong>the</strong> writ<strong>in</strong>g<br />

process. One student had transformed her personal essay <strong>in</strong>to <strong>the</strong> first chapter<br />

of a hypo<strong>the</strong>tical self-help book. Her memo expla<strong>in</strong>s why. “I have a very hard<br />

time writ<strong>in</strong>g personal th<strong>in</strong>gs … it is really hard for me to talk about myself <strong>in</strong> my<br />

writ<strong>in</strong>g.” The self-help book approach resolved her issues by shar<strong>in</strong>g <strong>the</strong> same<br />

<strong>in</strong>formation about her <strong>in</strong>fluential teacher (she had chosen Buddha) by couch<strong>in</strong>g<br />

<strong>the</strong> discussion <strong>in</strong> terms of how readers might benefit from his teach<strong>in</strong>gs <strong>in</strong>stead<br />

of reveal<strong>in</strong>g her own personal experiences. 4<br />

Several students chose to transform <strong>the</strong>ir personal essay tributes to a favorite<br />

teacher <strong>in</strong>to more public pieces of writ<strong>in</strong>g, learn<strong>in</strong>g along <strong>the</strong> way how choos<strong>in</strong>g<br />

a genre <strong>and</strong> audience can affect <strong>the</strong> impact of a draft. As Daniel Coll<strong>in</strong>s writes<br />

elsewhere <strong>in</strong> this collection, “<strong>the</strong> writer is not separate from larger social contexts,<br />

<strong>and</strong> so <strong>the</strong> writ<strong>in</strong>g process does not end until such <strong>in</strong>quiry is used to <strong>in</strong><br />

<strong>the</strong> mak<strong>in</strong>g of mean<strong>in</strong>g for <strong>the</strong> writer <strong>and</strong> for o<strong>the</strong>rs.” One student converted<br />

a personal narrative <strong>in</strong>to a newspaper feature story about her teacher <strong>and</strong> described<br />

one of her major changes as reconfigur<strong>in</strong>g her <strong>in</strong>troduction. She chose<br />

to <strong>in</strong>corporate “quotations” from her teacher, primarily remembered as favorite<br />

comments <strong>the</strong> teacher had made, <strong>in</strong> order to give <strong>the</strong> new version <strong>the</strong> sound of<br />

a human <strong>in</strong>terest feature story, demonstrat<strong>in</strong>g her underst<strong>and</strong><strong>in</strong>g that readers of<br />

newspaper articles have expectations of <strong>the</strong> genre, expectations that she felt it<br />

important to meet.<br />

Harlan’s narrative essay became a commencement speech. “By do<strong>in</strong>g this,”<br />

<strong>the</strong> memo reveals, “I still shared memories, but directed <strong>the</strong>m <strong>in</strong> a way that<br />

showed everyone how great a teacher she was <strong>and</strong> how she helped me grow as<br />

a student … I selected this approach because I knew she was a great friend to<br />

many students <strong>in</strong> my grade. I felt that this would have been a good tribute to her<br />

<strong>and</strong> a collective farewell.” While <strong>the</strong> genre has changed <strong>in</strong> this radical revision, it<br />

is important to note that <strong>the</strong> author has also learned that a s<strong>in</strong>gle piece of writ<strong>in</strong>g<br />

can have multiple purposes.<br />

In a similar move, W<strong>and</strong>a decided to revise her narrative about her favorite<br />

<strong>in</strong>structor <strong>in</strong>to an open letter addressed to younger students at her old high<br />

school, <strong>the</strong> <strong>in</strong>tent of which was to encourage <strong>the</strong>m to take classes with this f<strong>in</strong>e<br />

teacher.<br />

The organization of this paper works better because as a<br />

student, I could determ<strong>in</strong>e which traits were more important<br />

to o<strong>the</strong>r students than o<strong>the</strong>r traits. Therefore, I could organize<br />

<strong>the</strong> paper from less important traits to most important traits.<br />

297

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