Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a
Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a
Critical Expressivism- Theory and Practice in the Composition Classroom, 2014a
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Newkirk<br />
depression, researchers now believe that this explanatory style is an <strong>in</strong>effective<br />
way of deal<strong>in</strong>g with stress that compromises <strong>the</strong> immune system, leav<strong>in</strong>g<br />
<strong>the</strong> <strong>in</strong>dividual susceptible to a range of <strong>in</strong>fectious diseases. Not surpris<strong>in</strong>gly, a<br />
“healthy” explanatory style is associated with <strong>in</strong>creased motivation, persistence,<br />
<strong>and</strong> educational achievement.<br />
All of which suggests a fundamental dilemma for academic readers. It is<br />
hardly surpris<strong>in</strong>g that young writers employ commonplaces of effort, overcom<strong>in</strong>g<br />
obstacles, learn<strong>in</strong>g from difficulties, nam<strong>in</strong>g heroes <strong>and</strong> sa<strong>in</strong>ts <strong>in</strong> <strong>the</strong>ir lives—<br />
that <strong>the</strong>y construct <strong>the</strong>ir narratives as a form of heroic progression. There is<br />
now a huge body of research to document <strong>the</strong> benefits—even <strong>the</strong> evolutionary<br />
necessity—of such formulations. And as William James <strong>and</strong> Peter Elbow argue,<br />
this positive bias can be self-verify<strong>in</strong>g. If a student believes that an obstacle like a<br />
fail<strong>in</strong>g a test is a learn<strong>in</strong>g opportunity (clichéd as that view is), she is likely to be<br />
more successful <strong>in</strong> ga<strong>in</strong><strong>in</strong>g a benefit from it than someone who treats that failure<br />
as one more sign she is not good at <strong>the</strong> subject (a global reaction). Yet aes<strong>the</strong>tically<br />
<strong>the</strong>se formulations <strong>in</strong> personal essays, as I have noted, frequently fail to satisfy,<br />
<strong>and</strong> even repulse, <strong>the</strong> academic reader who is gratified by an entirely different,<br />
more nuanced, ambivalent, ironic sensibility.<br />
STUDENT AS CO-THEORIST<br />
To illustrate this dilemma I will quote extensively from a paper of one of<br />
my own students written early <strong>in</strong> a first-year course. The assignment which I<br />
call <strong>the</strong> “Right to Speak” paper requires <strong>the</strong>m to pick a public issue on which<br />
<strong>the</strong>y have personal experience that has caused <strong>the</strong>m to have some viewpo<strong>in</strong>t; <strong>the</strong><br />
goal of <strong>the</strong> paper is to show how this viewpo<strong>in</strong>t arises out of <strong>the</strong> experience. In<br />
preparation we read Sallie Tisdale’s “A Weight Women Carry” <strong>and</strong> “Grade A:<br />
The Market for a Yale Woman’s Eggs,” an award-w<strong>in</strong>n<strong>in</strong>g essay by Jessica Cohen.<br />
I also read aloud an essay on euthanasia <strong>in</strong> which I recount <strong>the</strong> last days of my<br />
mo<strong>the</strong>r’s life when she refused food <strong>and</strong> water for twelve days. I suggested additional<br />
topics, rem<strong>in</strong>d<strong>in</strong>g <strong>the</strong>m that <strong>the</strong>y are all experts on <strong>the</strong>ir own education,<br />
<strong>and</strong> have a right to comment on it. One student, Brianna, chose to write about<br />
<strong>the</strong> cruelty <strong>and</strong> shunn<strong>in</strong>g she endured <strong>in</strong> middle school. The paper beg<strong>in</strong>s with<br />
a description of <strong>the</strong> bodily experience of depression she felt each day as she got<br />
ready for school:<br />
The pa<strong>in</strong> I went through those four years is nearly <strong>in</strong>describable.<br />
Every morn<strong>in</strong>g I would wake up with a heavy chest. It<br />
literally weighed me down. My heart <strong>in</strong> particular would feel<br />
heavy <strong>and</strong> burdened. I could feel it struggle with every pulse.<br />
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