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KITCHENS AND DINING ROOMS AT POMPEII ... - Get a Free Blog

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apartments which are visible in Ostia and which the legal sources call cenacula did not actually<br />

appear in Pompeii before its destruction. A cenaculum therefore has a slightly different definition<br />

in Pompeii than it does in those larger, later cities. Sutherland suggests the following:<br />

"any room in the second storey of a house, other than an intermediate level<br />

(mezzanine), which forms part of the living quarters and is intended to<br />

accommodate a regular traffic of people in the fulfillment of its designated<br />

function" 161<br />

This definition includes areas used for living, eating, and sleeping, and excludes areas used for<br />

storage, such as the pergulae, or mezzanines which sat over most of the shops at Pompeii, and<br />

were reached by a staircase or ladder. 162 The number of dining rooms on upper floors which I<br />

have been able to identify with any certainty is few; cenaculum is an imperfect but serviceable<br />

term to use to describe them. 163<br />

Oecus<br />

Oecus rarely appears in Latin; it is adopted from the Greek o‰kow, in which language<br />

the word has a broad range of meaning. 164 The Thesaurus Lingua Latinae defines the word as<br />

"part of a house, a room, primarily destined for the holding of dinners", and scholars have long<br />

accepted oecus as an alternative term for a dining room. 165 Nearly all occurrences of the word in<br />

Latin appear in Vitruvius, in the context of both Roman and Greek houses. 166 The exception is<br />

the Elder Pliny's description of the "unswept hall" mosaic, in which he merely transliterates the<br />

Greek. 167 Twice in his description of the Greek house, Vitruvius explicitly states that dining<br />

takes place in the rooms he calls oeci. 168 In his discussion of special architectural types in the<br />

161 Sutherland 1990, 6.<br />

162 Sutherland 1990, 3-4, where he makes good use of an inscription (CIL 4.138) from the Casa di Pansa<br />

(VI.6.1) that advertises the rent of both pergulae and cenacula.<br />

163 Pompeii: I.6.7 {r}, I.6.8-9 {k}, I.7.18 {g}; I.10.1 {6}; I.10.11 {20}; I.10.18 {11}; IX.2.27 {1}. See also<br />

Herculaneum, upstairs rooms (2, 5) in the Casa a Graticcio (III.14-15), Maiuri 1958, 416-420.<br />

164 In Greek, an οἶκος can mean a house, part of a house, household goods, the members of a household or<br />

the house of a god (i.e. a temple).<br />

165 domus pars, camera, imprimis ad cenas habendas destinata. See also Dunababin 1991, 124; De Albentiis 1990,<br />

152-157; Salza Prina Ricotti 1987, 124-126; Mau 1908, 265-266; Overbeck 1884.<br />

166 Vitr. 6.3.8-10 (Roman houses); 6.7.2-5 (Greek houses).<br />

167 Plin. Nat. 1.36.60 (table of contents), 36.184: "the most famous exponent (of mosaics) was Sosus, who at<br />

Pergamum laid the floor of what is known in Greek as "the Unswept Room", because, by means of small<br />

cubes tinted in various shades, he represented on the floor refuse from the dinner table and other<br />

sweepings, making them appear as if they had been left there"; celeberrimus fuit in hoc genere Sosus, qui<br />

Pergami stravit quem vocant asaroton oecon, quoniam purgamenta cenae in pavimentis quaeque everri solent velut<br />

relicta fecerat parvis e tessellis tinctisque in varios colores (Loeb text and translation).<br />

168 Vitr. 6.7.4: "In these halls are the men's banquets"; In his oecis fiunt virilia convivia. Vitr. 6.7.5: "For the<br />

Greeks call the andron the hall where men's banquets are supposed to be, because women cannot approach<br />

there"; Graeci enim andronas appellant oecus, ubi convivia virilia solent esse, quod eo mulieres non accedunt (Loeb<br />

texts, author's translations).<br />

90

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