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KITCHENS AND DINING ROOMS AT POMPEII ... - Get a Free Blog

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Varro's comments reveal a concern with keeping a proper matching set of furniture that can be<br />

verified merely by comparison with other dining rooms. Guests expected a similar and familiar<br />

arrangement of couches, so they might know their proper 'place' at table. Varro says that couches<br />

are alike in material, height, and shape, but he does discuss differences in their applied<br />

decoration. It was in the decoration that the owner could demonstrate his financial power or<br />

particular decorative taste, whether in ivory, tortoise-shell, or precious metal inlays for couches,<br />

couch coverings colored by expensive purple dyes, or table settings of silver and gold. 182<br />

The quality of a triclinium in literary descriptions ranged from the 'everyday' to the<br />

extremely elaborate. A triclinia cotidiana is mentioned by Vitruvius in his essay on the Greek<br />

house. 183 The Younger Pliny, in a letter to Caninus Rufus at Comum, speaks of his friend's<br />

triclinia which include rooms for holding a small gathering of a few friends and rooms for a large<br />

dinner-party. 184 Most descriptions of triclinia are phrased in terms of their magnificence.<br />

Manilius compares carved paneled ceilings in temples to ceilings in dining rooms:<br />

Such ornamentation was once reserved for the gods; today it is one of our<br />

extravagances: dining rooms rival temples in splendour, and under a roof of<br />

gold we now take our meals off gold. 185<br />

Triclinia are also described as satis pulcrum (quite lovely), installed on board the pleasure-galleys<br />

of an emperor, set in the shadow of a large plane tree, combined with an aviary, set up in a fruit-<br />

house amongst natural produce, or fitted with sliding ceilings for showers of flowers during the<br />

182 Precious couches: Plin. Nat. 33.144, 33.146, 34.9, 34.14, 37.12-14; Historia Augusta, Antonius Heliogabus<br />

20.4; Var. L. 9.47. Precious couch-coverings: Luc. 10.122-124; Petr. 40.2; Nep. frag. 27 (Plin. Nat. 9.137); Plin.<br />

Nat. 8.196. Precious table-settings: Cic. Ver. 2.4.33, 2.4.62; Rhet. Her. 4.64; Ulp. dig. 13.6.5.14; Petr. 22.3; Petr.<br />

73.5. Among other set-pieces described in dining rooms, Petr. 26.9 mentions a horologium in Trimalchio's<br />

triclinium and Petr. 30.1-5 describes a notice at the doorposts of Trimalchio's triclinium that advertises when<br />

the master is not dining at home. The younger Seneca, Dial. 9.9.5, decries the use of books as decorations in<br />

a cenatio instead of as devices for learning. See also Ransom 1905, 54-61; Richter 1966, 105-109; Pirzio Biroli<br />

Stefanelli 1990, 68-79 for expensive materials and decoration on dining-couches.<br />

183 Vitr. 6.7.2: "Round the colonnades are the ordinary dining rooms, the bedrooms and servants' rooms.<br />

This part of the building is called the women's quarter."; Circum autem in porticibus triclinia cotidiana, cubicula,<br />

etiam cellae familiaricae constituuntur. Haec pars aedificii gynaeconitis appellatur (Loeb text and translation).<br />

184 Plin. Ep. 1.3.1: "Your baths which are full of sunshine all day, the dining rooms for general or private<br />

use, the bedrooms for night or the day's siesta -- are you there and enjoying them all in turn, or are you as<br />

usual forever being called away to look after your affairs?; Quid balineum illud quod plurimus sol implet et<br />

circumit, quid triclinia illa popularia illa paucorum, quid cubicula diurna nocturna? Possident te et per vices<br />

partiuntur? An, ut solebas, intentione rei familiaris obeundae crebris excursionibus avocaris? (Loeb text and<br />

translation).<br />

185 Man. 5.288-292: Haec fuerat quondam divis concessa figura, nunc iam luxuriae pars est: triclinia templis<br />

concertant, tectique auro iam vescimur auro (Loeb text and translation).<br />

93

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