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KITCHENS AND DINING ROOMS AT POMPEII ... - Get a Free Blog

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Where is cooking and eating done? Who cooks, serves and eats (and with whom)? The answers<br />

are based on modern scholarship and ancient literary texts; they represent the state of current<br />

knowledge about issues that overlap in complex ways. Their introduction is necessary to<br />

demonstrate the scope of implications that cooking and eating had in the lives of Romans, and to<br />

provide a socio-cultural context for the patterns that emerge from the archaeological evidence in<br />

chapter three.<br />

Literary sources provide much of the evidence for the reconstruction of this context; E.<br />

Gowers warns that the representations of food in Roman literature are primarily symbols, and<br />

symbols not easily ascertained:<br />

"...the meaning of food in Roman literature is rarely just social or economic.<br />

Roman writers, like the gourmets they despise, choose from a vast repertoire:<br />

the significance of the food they use is determined not just by wider cultural<br />

codes but also by personal manipulation; the particular connotations evoked are<br />

specific to each context." 4<br />

Much of the literature about food appears in the context of the satirical style. Food or lack of food<br />

was a daily experience for everyone, a universally comprehensible medium through which<br />

Roman satirists could make moral and poetic statements about current cultural, social and<br />

political values. Satirists ridiculed the 'dirty' aspects of society by rearranging or misplacing the<br />

food that social individuals ate, literally turning that food into a mess or, 'matter out of place'. 5<br />

Chaos took the place of an orderly dinner-party, overstuffing or underfeeding the place of a truly<br />

satisfying meal. Structural opposites of rich and poor, fresh and rotten, pretentious and humble<br />

were juxtaposed and mixed-up. Satirists turned the resulting confusion and contrasts into<br />

humor, lesson, or both. The plain, idealized background against which this satire played was the<br />

menu of simple bread, cabbage, bacon and cheese of rustic Roman ancestors or barbarian<br />

neighbors. 6 Extolling a standard menu of plain, honest and uncultured foods allowed the<br />

satirists to emphasize a stark contrast with the expensive, overly refined, and even ridiculous<br />

dishes consumed at the banquets of the wealthy. 7<br />

Even on an individual level, people's social and moral images are so closely linked to the<br />

food they reportedly consume that it is not easy to employ even personal testimony as evidence<br />

for their actual eating habits. W. Rathje's recent study in Arizona has clearly demonstrated this<br />

4 Gowers 1993, 35.<br />

5 Douglas 1970, 12. Of course, not all satirists treated food in the same way; for a detailed examination of the<br />

methods and purposes of Horace, Persius and Juvenal, see Gowers' (1993) chapter on satire, 109-219.<br />

6 Examples of 'simple, honest peasant fare' are integral parts of the stories of Baucis and Philemon (Ov. Met.<br />

8.620-720) or of the city mouse and the country mouse (Hor. S. 2.6); see also Ov. Fast. 4.679-712, App. Verg.<br />

Moretum, Sil. 7.162-211 and Sen. Dial. 1.3.6.<br />

7 On opposing rich and poor, see Hudson 1989 and Braund 1989, who quote largely from Petronius, Seneca,<br />

Horace and Juvenal. Gowers 1993 cites in addition Plautus, Martial, and the Younger Pliny (esp. 73-76, 189-<br />

191, 249-263, 267-279).<br />

7

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