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KITCHENS AND DINING ROOMS AT POMPEII ... - Get a Free Blog

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Synthesis<br />

The design of the dining arrangements in this house seems predicated on seasonal<br />

considerations. The large DH•(b) was protected from the elements by a small entrance and was<br />

appropriate to non-summer dining. The high ceiling expanded its interior space, and views were<br />

extended beyond the walls through their 3rd style decoration, which featured sacro-idyllic<br />

landscapes in large panels. The summer dining area DI•(e) had primary aspect onto the actual<br />

landscape of garden (h), itself expanded by the garden paintings on its W and S walls. As Clarke<br />

notes: "the view out was of primary importance". 76 The position, form and decoration of both<br />

these rooms exemplify the "view out" in their own particular way, based on their adaptation to<br />

seasonal climatic conditions.<br />

KI (l) was conveniently placed between dining areas to serve them both; the room was<br />

well-equipped with extensive heating, working and storage facilities, as well as an adequate<br />

water source. The kitchen was invisible to DH•(b) and DI•(e), but the smell of cooking food (and<br />

doubtless a considerable din) were discernible in the latter, placed adjacent to the kitchen.<br />

Serving a dinner party necessitated considerable traffic along corridor (o). This attractive and<br />

practical arrangement was interrupted by the earthquake, and at the time of the eruption, neither<br />

dining area was operational; both were filled with building material. The lack of repair to the<br />

damaged decoration of these dining rooms might argue for the abandonment of dining in these<br />

rooms or the postponement of their use until other parts of the house had been renovated. On<br />

the other hand, at least in DH•(b), the storage of building material in that winter dining area may<br />

have been temporary, until repairs to the roof of the atrium were complete, and cooler days<br />

appropriate to the use of the room had arrived once more. The attachment of this house in its last<br />

phase to the Casa dell'Efebo, with its own slate of fine dining areas, further complicates the<br />

problem. Without knowing the domestic structure of the occupants of this house and their<br />

relationship to the owners and household of the Casa dell'Efebo, it is not possible to securely<br />

interpret its functionality, except to say that it was limited during its renovation.<br />

76 Clarke 1991, 16.<br />

279

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