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casa grande could one dining area be spared for such unconventional coloration. 159 Certain<br />

houses seem to have certain colors that appear prominently in nearly every dining area; I.4.5+25<br />

uses yellow in the ground, socle, borders or panels, and white ground decoration is favored in<br />

I.7.10-12. Large houses have far more 'up-to-date' painting than other buildings. Fourth style,<br />

the most 'modern' of the Pompeian styles, appears in sixteen dining areas; three are of the third<br />

style, and two are in the second style. 160 Wealthier owners of larger houses were more likely to<br />

redecorate their homes to keep in tune with the fashion of the times, and could best afford to<br />

(quickly) redecorate their rooms after the earthquake of A.D. 62 (when many of the fourth style<br />

works were executed). Damaged decorations of an earlier style in dining areas of smaller houses<br />

are often found patched to ensure structural stability, but not wholly redecorated. 161<br />

Households without the means for restoring their decoration must simply have had to use rooms<br />

in damaged condition.<br />

Storage<br />

Evidence for storage of cooking, serving and eating equipment (as introduced in chapter<br />

one, pp. 14-16) relies either upon circumstantial evidence such as brackets for shelving cut in the<br />

walls of certain rooms, or direct evidence such as the traces of chests or cupboards and the<br />

artifacts associated with them. Unfortunately, the state of the evidence for finds is not consistent<br />

between buildings. Excavated assemblages depend on whether the building was actually<br />

occupied, to what extent the occupants were able to pack their belongings and escape during the<br />

A.D. 79 eruption, and how severely the building was robbed out after the eruption by household<br />

salvagers or looters. The quality of the modern excavations and the recording of artifacts in their<br />

contexts also varies widely. These were the difficulties faced by Allison and Berry in their recent<br />

and valuable efforts to reintegrate the architecture and artifacts of selected houses. 162 A<br />

quantitative study cannot be made of the evidence from this study sample -- not even all of the<br />

study sample can be included. I can offer, however, a sense of how some households and<br />

businesses arranged the storage of their cooking, serving and eating wares.<br />

A few trends will emerge. In smaller households, cooking and serving wares are found<br />

close to or in the cooking areas; there is little space to store them elsewhere. Greater storage<br />

capacity appears in larger households. Storage areas become more numerous and more spread<br />

out through the house (even as the rooms themselves are no larger). Goods in these rooms tend<br />

159 See Ling 1991b, 207-209, 234 (#9) for a summary of pigments, their sources, prices and uses in wall<br />

painting.<br />

160 Third style decoration: I.4.5+25 (19, 20); I.7.1 (16); second style decoration: I.6.2 [22] (not in use after<br />

A.D. 62); I.7.10-12 (10).<br />

161 Examples of dining areas in smaller houses that may have been used despite damaged or incomplete<br />

decoration: I.6.4 (c?, p), I.6.15 (d), I.9.5-7 (13, 17), I.9.13-14 (d), I.10.8 (2).<br />

162 Allison 1992b, Berry 1993.<br />

153

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