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and exedrae where there is minimal smoke, soot cannot do any harm; there<br />

carving may be carried out. 227<br />

The craftsmen, again, in the stucco-work, must keep the designs in accordance<br />

with 'decor', that they may have a character fitted to their place and adjusted to<br />

the differences of style. In winter dining rooms, painting of detail is not useful in<br />

the composition, nor fine mouldings in the cornice under the vault, because they<br />

are damaged by the smoke from the fire and the frequent soot from the lamps.<br />

In these rooms, immediately above the dado, panels of black are to be worked up<br />

and finished with strips of yellow ochre or vermilion intervening. The arched<br />

ceilings have a plain finish. 228<br />

Vitruvius clearly believed that seasonal ramifications must be considered with regard to the<br />

quality and nature of wall and ceiling decoration. His advice for the construction of pavements<br />

in winter-dining rooms reveals similar concerns:<br />

As to the pavements, it will not be unsatisfactory if we observe the arrangement<br />

of Greek winter apartments. A useful construction is not at all expensive. For<br />

inside the leveled surface of the triclinium, a depth of about two feet is dug. The<br />

ground is well-rammed and a pavement of rubble or pounded brick is laid with a<br />

fall towards the gutter and its outlets. Then charcoal is collected and crushed by<br />

treading, and a mixture six inches thick of ashes, sand and lime is laid. The top<br />

surface is then rubbed with stone to rule and level, and has the appearance of a<br />

black pavement. At banquets, therefore, the wine which is thrown from the cups<br />

or spit out after tasting dries as it falls. And although the servants who are<br />

employed there are barefooted, their feet are not stained by the wine-less on this<br />

kind of pavement. 229<br />

In order to minimize the need for portable heat, some authors argue for architectural<br />

designs that moderate the existing environmental conditions and maximize the naturally<br />

available light and heat. Columella gives directions, but no explicit reasons, for arranging the<br />

227 Vitr. 7.3.4: Conclavibus aute, ubi ignis aut plura lumina sunt ponenda, pura fieri debent, ut ea facilius<br />

extergeantur; in aestivis et exhedris, ubi minime fumus est nec fuligo potest nocere, ibi calatae sunt faciendae. (Loeb<br />

text, author's translation); see also Salza Prina Ricotti 1987, 127.<br />

228 Vitr. 7.4.4: Ipsi autem politionibus eorum ornatus proprios debent habere ad decoris rationes, uti et ex locis aptas<br />

et generum discriminibus non alienas habeant dignitates. tricliniis hibernis non est utilis compositione nec<br />

megalographia nec camerarum coronario opere subtilis ornatus, quod ea et ab ignis fumo et ab luminum crebris<br />

fuligini- bus corrumpuntur. in his vero supra podia abaci ex atramento sunt subigendi et poliendi cuneis silaceis seu<br />

miniaceis interpositis; explicatae camerae pure politae (Loeb text and translation).<br />

229 Vitr. 7.4.4-5: etiam pavimentorum non erit displicens, si qui animadvertere voluerit Graecorum hibernaculorum<br />

usum, minime sumptuosus et utilis apparatus. Foditur enim infra libramentum triclinii altitudo circiter pedum<br />

binûm, et solo festucato inducitur aut rudus aut testaceum pavimentum ita fastigatum, ut in canali habeat nares.<br />

Deinde congestis et spisse calcatis carbonibus inducitur e sabulone et calce et favilla mixta materies crassitudine<br />

semipedali. Ad regulam et libellam summo libramento cote despumato redditur species nigri pavimenti. Ita conviviis<br />

eorum et, quod poculis et pytismatis effundetur, simul cadit siccescitque, quique versantur ibi ministrantes, etsi nudis<br />

pedibus fuerint, non recipiunt fraces ab eius modi genere pavimenti (Loeb text and translation).<br />

103

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