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KITCHENS AND DINING ROOMS AT POMPEII ... - Get a Free Blog

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weathering after their excavation, leading to the disappearance of any painted plaster they once<br />

may have had.<br />

There are certain exceptions to the lack of decoration in cooking areas. First, it appears in<br />

kitchens that were converted from use as another type of room, often a cubiculum. Pre-existing<br />

decoration is usually ignored; appliances, installations and new walls are cut into the pattern<br />

without regard for its integrity when the kitchen is installed. 97 The second exception is painted<br />

shrines that appear in the kitchen (see below for further consideration of the relationship between<br />

cooking, dining, and ritual). 98 A third exception is the presence of cooking installations or<br />

portable cooking devices in rooms or areas that enjoy a wider use, such as atria, peristyles and<br />

gardens. In these cases, cooking is done in the presence of adornment designed for the larger<br />

space, not designed to complement the cooking. 99 Finally, cooking facilities built into the<br />

counters of eating establishments exist in the context of the decoration of the room -- counters<br />

clad in painted stucco or marble revetment, wall paintings, and sometimes painted shrines. 100<br />

Kitchens in the largest houses are no better decorated than kitchens in the smallest<br />

houses. Walls were coated with plain white plaster to preserve them and allow them to be<br />

cleaned. Floors were either of cocciopesto or beaten earth; both surfaces are ideal for enduring<br />

endless spills and messes. There was no sense in decorating a kitchen in fine fashion, only to<br />

have it sullied by black smoke, blood, food remains, and waste water.<br />

Dining area amenities<br />

Dining area types and evidence<br />

This discussion concentrates on the dimensions and number of dining areas, as well as<br />

the various pieces of evidence that suggest dining was actually carried out in these locations (i.e.<br />

couch niches, floor or wall decoration that indicates the placement of couches, evidence of the<br />

couches themselves, or vessels and utensils for serving, eating and drinking). 101<br />

97 Examples include I.6.15 (i), where the third style decoration of a cubiculum survives, and I.9.1-2 (6), where<br />

the patterned cocciopesto floor and second style wall decoration of a previous cubiculum can still be seen.<br />

98 Examples include: I.7.18 (e), I.8.18 (8), I.10.4 (52), I.10.7 (11), I.10.11 (16), I.10.18 (9).<br />

99 Examples include: I.4.5+25 (21), I.7.2-3 (g), I.9.1-2 (2), I.9.13-14 (b, o), I.10.4 (c), I.10.11 (9).<br />

100 Examples include: I.4.27 (a), I.6.5-6; I.7.8 (a); I.8.1-2 (12), I.8.8 (1), I.8.15 (1), I.9.11 (1), I.10.2-3 (2), I.10.13.<br />

101 Floor decoration may be mosaic or opus sectile emblemata around which couches could be placed, or the<br />

actual delineation of couch positions with tesserae. Bipartite wall decoration distinguishes a smaller serving<br />

area at the front of the room from a larger area for couches at the back of the room (see chapter two, pp. 106-<br />

107).<br />

140

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