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KITCHENS AND DINING ROOMS AT POMPEII ... - Get a Free Blog

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all to see, but is located in the kitchen, invisible to guests but quite visible to slaves. Graffiti from<br />

the house name several slaves with Greek and Syrian names. It appears that in this case, Roman<br />

'robust traditions' were kept alive in the kitchen, and perhaps even by slaves of non-Roman<br />

origin. Traditional assumptions about Roman ritual and its role in the family are challenged by<br />

this example. Does the new physical context of the figurines (i.e. in the dark kitchen of a small<br />

house) preclude their association with the robust Roman aristocratic traditions? Certainly not. It<br />

is the assumption that traditional Roman 'family values' were the exclusive domain of the<br />

wealthier members of society or the free members of the household that is wrong. Rustic<br />

figurines that imply traditional Roman ritual practices are found in the peristyle of a casa grande<br />

(I.10.4) and the service quarters of a casa piccola (I.8.18). Household ritual lies above the socio-<br />

economic fray; it is open to all persons that embrace it. The wide degree of ritual evidence (from<br />

none to elaborate shrines) demonstrates a wide variety of actual observance. I would argue that<br />

household ritual and cult were personal, and based on beliefs of the household members.<br />

Casa media In houses of medium size, shrines or ritual objects appear most commonly in<br />

gardens; a few are also present in atria and kitchens or dining areas. 198 In gardens, shrines take<br />

the form of arcuated niches, rarely visible from a cooking or dining area. 199 Even the arcuated<br />

niche in the west wall of garden (8) of house I.9.12, although it is located directly across from<br />

dining room (11), is not visible because a pillar of the garden portico blocks the view.<br />

In only one house is a possible garden shrine visible from a dining area -- I.10.7, where a<br />

marble statuette of Hercules rested on a shelf at the back of the garden, facing dining areas (8, 9,<br />

12) (Fig. 2.8). In the same house, kitchen (11) and dining room (9) are both intimately associated<br />

with their own shrine. Next to the stove in the kitchen is an elaborate painted shrine. Large<br />

coiled serpents stretch towards a small marble slab fixed in the wall that was probably an<br />

offering shelf (Figs. 2.27, 5.167). At the other end of the portico, the primary indoor dining-room<br />

(9) of the house contains a small niche up in one wall that shows again two coiled serpents<br />

snaking up towards a painted altar (Fig. 5.169). The scene is essentially a smaller copy of the<br />

painting in the kitchen, and is a rare example of a shrine within the confines of a dining-room.<br />

The family who lived here pursued a careful and deliberate strategy of locating their shrines in<br />

198 I.6.15, I.9.5-7 and I.9.13-14 have no identifiable ritual areas. I.8.1-3 and I.8.8-9 have shrines at the counters<br />

of their attached lunch counter and diner, respectively. Statuettes stored in cupboards in the atrium are the<br />

only ritual evidence in I.6.4 and I.6.11, and a small arcuated niche appears in the southeast corner of the<br />

atrium of I.8.17+11. An arcuated niche painted with serpents and an altar adorns the east wall of kitchen<br />

(16) in I.10.10-11 (Fig. 5.175), one of the few shrines directly associated with a cooking or dining area.<br />

199 I.7.7, I.7.19, I.8.17+11, I.9.3-4, I.9.12, I.10.7 and I.10.8 have shrines in their gardens.<br />

162

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