18.01.2013 Views

KITCHENS AND DINING ROOMS AT POMPEII ... - Get a Free Blog

KITCHENS AND DINING ROOMS AT POMPEII ... - Get a Free Blog

KITCHENS AND DINING ROOMS AT POMPEII ... - Get a Free Blog

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

sacred union of Isis and Osiris in the artificial Nilotic setting of the W wall of the garden. The<br />

depictions and motifs of Dionysos, Osiris and Itys on the walls of DR•(e) are taken as further<br />

evidence for a household concern with deities associated with an afterlife. She also considers the<br />

black atmosphere of DR•(e) to have been an appropriate setting for ritual banquets for initiates.<br />

These suggestions are intriguing, considering the house's position only two blocks due east of the<br />

Temple of Isis. However, the Egyptianizing motifs may be as easily explained in terms of the<br />

patron's artistic preferences, and the water channel in garden (h) was certainly used to direct<br />

water fallen from the roof to the two large cisterns underneath the garden. 55 Without more<br />

secure corroborating evidence, De Vos' suggestion must remain an interesting hypothesis.<br />

Synthesis<br />

If the original kitchen of the house was indeed located in room (l, m, n), it was a<br />

convenient location for serving either DR•(d) or DR•(e), while being provided with light,<br />

ventilation and water from garden (h). It is unclear why the kitchen was moved to room (i) after<br />

the earthquake. Perhaps the installation and subsequent fumes of the work-basins of the fullonica<br />

(I.6.7) immediately to the N made the space uncomfortable for food preparation. The fullonica<br />

did not, however, prevent the owner of this house from painting the walls of garden (h) with<br />

elaborate 4th style decoration.<br />

It is more likely that this house did not contain a kitchen with fixed installations in its<br />

original phases -- portable appliances such as the BZ found in (l) were used instead. The<br />

installation of a ST, HE, and grinding podium in (i) may represent a considerable upgrade of the<br />

house's cooking facilities, combined with a new latrine. De Vos (PPM I, 408) interprets the grand<br />

painting in garden (h) to be part of the owner's plan to impress guests during his runs for offices<br />

in the 70's A.D. Given the important link in Roman society between entertaining and political<br />

and social fortunes, a better equipped kitchen may have been required to provide satisfactory<br />

meals. The new KI (i) was convenient for serving DR•(d) and DR•(e), and was well-supplied<br />

with light, ventilation, water and drainage. The BZ and WH stored in the back of the house<br />

would have been brought out when necessary to keep food and drink warm, and in the case of<br />

DR•(e), to help heat the room during the winter season. The new location of KI (i) was by no<br />

means more visible to guests in the dining rooms merely because of its position off the atrium;<br />

any view to the entrance of the kitchen from either dining room was almost completely blocked<br />

by the position of the columns in the center of the atrium. Guests would have had only fleeting<br />

glimpses of the servants moving through the atrium before they arrived at the threshold of the<br />

dining room bearing food.<br />

55 Consult De Vos 1980 for a general treatise on Egyptianizing motifs and styles in early Imperial painted<br />

and mosaic decoration.<br />

240

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!