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KITCHENS AND DINING ROOMS AT POMPEII ... - Get a Free Blog

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association with food, and as a result, household gods were able to watch over both ends of the<br />

meal: preparation and consumption. 200<br />

Casa grande Large houses continue to demonstrate a variety of number, kind and location<br />

of shrines, from the one painted niche in garden (12) of the Casa del Criptoportico (I.6.2) to the<br />

seven shrines reported from the Casa del Menandro (I.10.4). In most of these houses, loci of ritual<br />

seem to fall into categories corresponding to the free and servile members of the household. This<br />

dichotomy of ritual areas is explored in the examples below.<br />

In the Casa del Citarista (I.4.5), ritual expression and practice are divided between<br />

simpler shrines in servants' areas, and more expensive ritual objects in the display areas of the<br />

atria and peristyles. Kitchen (42) had a simple niche above the stove (Fig. 5.28). Court (21)<br />

contained a brazier, two small bronze altars, and two bronze statuettes of Minerva; it seems to<br />

have been the headquarters of the household staff. Atrium (47) contained a more expensive<br />

ritual item: a silver statuette of a togate 'sacrificant'. Peristyle (32) was the locus of a marble altar,<br />

and two herms were associated with a bronze sculptural group in peristyle (17).<br />

In the Casa del Efebo (I.7.10-12), a standard painted niche shrine was installed in atrium<br />

(A'), servants' quarters with a combination kitchen/dining room (7) nearby. The main garden<br />

had a pair of luxurious indoor (17) and outdoor (23) dining areas facing each other amongst<br />

shrines, paintings and statuary that evoked traditional Roman religion, Greek gods and<br />

goddesses, and sacred Egyptian landscapes (Fig. 5.21). In the Casa di Paquius Proculus I.7.1, a<br />

simple arcuated niche was cut into the southeast corner of kitchen (14) (Fig. 2.22), while a finely<br />

carved marble altar sat in room (17), easily accessible to dining areas (9, 16, 18).<br />

Specialization of ritual areas is clearest in the Casa del Menandro, I.10.4. In his<br />

publication, Maiuri associated the various shrines with various household members according to<br />

their rank and status. 201 The most elaborate shrine is encountered immediately upon entering<br />

the house, an aedicula located prominently in one corner of the atrium, across from the tablinum,<br />

and presumably fit for ritual conducted by the patron himself (Fig. 1.22). In a small room<br />

immediately behind this aedicula is a masonry stair to the upper story and beneath the arches of<br />

that stair is an podium-like altar with a smaller altar below it next to an arcuated niche. Perhaps<br />

this undecorated, 'humble' arrangement was used by those who lived up those stairs. In the<br />

200 A parallel to I.10.7 outside the study sample can be found in I.13.2, which falls into the casa media<br />

category. There the kitchen has a large painted sacrifice scene that depicts the entire household as well as<br />

representations of food products, and an outdoor dining area with a niche behind the masonry couches, in<br />

which a bronze statuette of Athena was found in situ. In this house cooking and eating are completely<br />

integrated with ritual. See PPM II, 874-880, Fröhlich 1991, 261 #L29, and Orr 1973, 161-162 for<br />

documentation of these shrines.<br />

201 Maiuri 1933, 33: "Questa nobile casa conteneva più larari e sacelli, così come si ha in altre nobili e<br />

grandiose dimore: larari di carattere signorile e larari di carattere rustico."<br />

163

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