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KITCHENS AND DINING ROOMS AT POMPEII ... - Get a Free Blog

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I) Decorative amenities, KI (n): Patches of white plaster remain upon the walls; the floor was of<br />

beaten earth. There is no suggestion that the room was ever decorated (see above, n. 39).<br />

Decorative amenities, dining areas: DR (c) contained 4th style decoration long considered<br />

(because of its unfinished socle) to date to A.D. 79, but recently redated by Strocka to before A.D.<br />

62, and interrupted by the earthquake. Of particular interest are three still life panels spread out<br />

across the N wall, consisting of a central panel with figs flanked by two panels showing table<br />

settings of silver (see Spinazzola for photographs). In the center of the E wall is a still life of<br />

birds, and the central panel of the W wall shows a large bunch of asparagus next to three baskets<br />

of ricotta, one of them spilled onto a large plate below (Fig. 5.53). Depictions of 'sacred' rural<br />

landscapes add to the decoration; the floor is paved with cocciopesto.<br />

DI◊(i) has a pavement of polychrome mosaic with concentric black and white borders in the 2nd<br />

style. The walls are finely painted in the 4th style with some 3rd style motifs. DH•(p) was<br />

originally decorated with splendid late 2nd style wall and floor decoration. The N section of the<br />

floor (l. 4.36 m.) was paved with mosaic in the pattern of nine squares with geometric decoration,<br />

separated from the plain white mosaic of the S floor section (l. 3.30 m.) by a band with floral<br />

decoration (w. 0.83 m.) (Fig. 5.54). The bipartition of the floor is continued by a series of vertical<br />

stripes on the walls that correspond to the floral mosaic band and separate the megalographia of<br />

the N section of the room from the more plain decoration of the S. The N wall depicts a<br />

philosopher seated before a globe; the E wall preserves two heraldic elephants guided by cupids,<br />

opposite the muse Clio on the W wall. The S. wall of this room, added after the secession of the<br />

cryptoporticus to (I.6.2), was only coarsely plastered. This indicates either that the room<br />

eventually would have been redecorated if the eruption had not occurred (Maiuri 1942a), or that<br />

the room had completely lost its formal function (Allison).<br />

J) Sanctity: The painted and stuccoed ceiling and upper frieze of room (e) has led some scholars<br />

(e.g. Schefold, Guida Laterza 1982) to interpret it as a shrine, but Allison's documentation of<br />

storage in this area confirms Boyce's strong doubts about a ritual function here. The three<br />

figurines found in the remains of a cupboard in the NW corner of atrium (b) (Della Corte NSc<br />

1913, 33-34) better represent the ritual paraphernalia belonging to this household.<br />

Synthesis<br />

The disassociation of this house from I.6.2 and its cryptoporticus, and the renovations<br />

carried out in the house before and after the A.D. 62 earthquake make it difficult to determine<br />

clearly the pattern of cooking and dining. While DR (c) was unquestionably intended for dining,<br />

its condition at the time of the eruption suggests a temporary suspension of use. DR•(p) was<br />

originally designed as the premier reception room of the house, but after the blocking off of its S<br />

216

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