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Art into Society/Society into Art, catálogo exposición ICA, Londres, octobre-november
1974.
Arte plástico y arquitectura en Holanda, Amsterdam, 1967.
Asger Jom. Au pied du mur, Éditions Jeanne Bucher, Paris, 1969.
ATKINS, Guy, dom in Scandinavia. 1930-1953, Lund Humphries, London, 1968.
íd., AsgerJomn, the Crucial Years. 1954-1964, Lund Humphries, London, 1977.
íd., Asger Jorn, the Final Years. 1965-1973, Lund Humphries, London, 1950.
Aufbrúche (Manifeste, Man¡festationen» Positionen in der bildende Kunst zu Beginn
der 6Oer Jahre in Benn Dússeldorf und Manchen (catálogo exposición>, Klaus
Schrenk (ed3, Du Mont Buchverlag, Kóln, 1984.
BACHELARD, Gaston, La psychoanalyse du feu, Gallimard, Paris, 1937.
íd., L’eau etles réves. Essais sur lYmaginat¡on de la matiére, José Corti, Paris, 1941.
íd., L’a¡retles songes. Essaisurl7maginat¡on en mouvement, José Corti, Paris, 1943.
íd., La terre et les réveries de la volonté, José Corti, Paris, 1947.
BACIGALUPI, Donald, Pretty Vacant: Neo-Express¡onist Painting, Sfruationist Theory
and Punk Rock, The University of Texas at Austin, 1993.
BALL, Edward, “Ihe Great Sidehow of the Situationist International”, en Yale French
Studies, Yale University, 1987.
íd., “Ihe Beautiful Language of my Century. From the Situationists
Simulationists”, en An’s Magazine, january 1989, pp. 65-72.
BANDINI, Mirella, Pinot-Gallizio e II laboratorio sperimentale d’AIba, catálogo
exposición Galleria Civica dArte Moderna, Tormo, 1974.
íd., L’estet¡co II politico da COBRA all’lntenazionale Sfruaz¡on¡sta, 1948-1957, Offic¡na
Edizioni, Roma, 1977.
BANHAM Reyner, Megastructure: Urban Futures of the Recent Past, London,
Thames and Hudson, 1976.
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