KATALOG (ke stažení) - Prague Quadrennial

National Theatre was the realization of Gudmundssoďs dreams, his
disciples having fought for it for almost half a century. Gudmundssoďs
influence was evident in the romanticism and nationalism of the first
productions, but this was probably out of respect for his example and
not part of the struggle for independence, because Iceland had already
become a republic in 1944.
It was not until the 1960 s and 1970 s that experimentation with new
styles in scenery began. Those decades saw a renaissance in dramatic
writing and new Icelandic plays became the norm rather than the exception.
A number of young designers worked in impressionism, realism,
expressionism and even close to surrealism. All in all, the last 25 years
have proved fruitful in Icelandic theatre and scenic artists have met the
challenge with high quality and fine skill, and their solutions have been
arrived at through adventurous experimentation with colour, materials
and form.
COLLINSOVÁ
Una Catherine
Kostýmní výtvarnice. Spolupracuje s islandskými divadly, s divadly
Skandinávii, v Západní Evropě i v USA.
ve
Costumiěre. Elle coopěre avec les théátres islandais et scandinaves ainsi
qďavec les théátres en Europe occidentale et aux Etats-Unis.
Costume designér. She cooperates with the Icelandic and Scandinavian
theatres as well with the theatres in West-Europe and in USA.
G. Verdi: Aida kostýmy costumes Icelandic Opera Reykjavík 1987
r. B. Hedinsdóttirová
GERLA
Jevištní a kostýmní výtvarnice. Spolupracuje s islandskými a skandinávskými
divadly. Přednáší na Islandské uměleckoprůmyslové akademii.
Scénographe et costumiěre. Elle coopěre avec les théátres islandais et
scandinaves. Elle enseigne a PAcadémie des Arts appliqués Islandaise.
Stage and costume designér. She cooperates with the Icelandic and
Scandinavian theatres. She has been teaching at the Icelandic Academy
of Applied Arts.
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