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Carlos Reichenbach: o cinema como razão de viver - Universia Brasil

Carlos Reichenbach: o cinema como razão de viver - Universia Brasil

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1970<br />

Os Amores <strong>de</strong> Um Cafona, <strong>de</strong> Penna Filho e Osiris<br />

<strong>de</strong> Figueiroa<br />

1969<br />

Audácia! – A Fúria dos Desejos<br />

Orgia ou O Homem que Deu Cria, <strong>de</strong> João Silvério<br />

Trevisan<br />

Diretor <strong>de</strong> fotografia <strong>de</strong> curtas e médias metragens<br />

1998<br />

A Voz e Vazio: a Vez <strong>de</strong> Vassourinha, <strong>de</strong> <strong>Carlos</strong><br />

Adriano<br />

Hamlet, <strong>de</strong> Ricardo Elias<br />

Amor, Aventura e Transporte Público, <strong>de</strong> Bruno<br />

<strong>de</strong> André<br />

1995<br />

Glaura, <strong>de</strong> Guilherme <strong>de</strong> Almeida Prado<br />

1979<br />

Nem Verda<strong>de</strong>, Nem Mentira, <strong>de</strong> Jairo Ferreira<br />

1974<br />

O Guru e os Guris, <strong>de</strong> Jairo Ferreira<br />

1968<br />

Odisséia, <strong>de</strong> Miguel Chaia (16 mm inacabado)<br />

283

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