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map them, because they can do that without actual physical movements. Modern cartography,<br />

while relying heavily on political <strong>and</strong> geographical maps, excludes the movements <strong>of</strong> people<br />

<strong>and</strong> thus creates an impression that the structure <strong>of</strong> the map depends solely on the structure <strong>of</strong><br />

material world (Ingold 2000: 234). Ingold uses an expression “cartographic illusion” (ibid.)<br />

when arguing that modern maps create an illusory impression <strong>of</strong> stability <strong>of</strong> places <strong>and</strong><br />

borders. In this manner modern cartography is actually moving away from the peoples’ daily<br />

practices, physical movements <strong>and</strong> dwelling habits (ibid.).<br />

An opposite term to cartography or mapmaking (showing a certain structure <strong>and</strong> excluding<br />

movements) is the term mapping. A traveller or a story-teller, who doesn’t create or use a<br />

map, is “quite simply, mapping” (Ingold 2000: 231). The essence <strong>of</strong> mapping is a process<br />

which never ends, which leads us over places, simultaneously differentiated <strong>and</strong> connected,<br />

<strong>and</strong> thus creating <strong>spaces</strong>. In Greek language <strong>and</strong> in a local Greek dialect <strong>of</strong> Dhërmi/Drimades<br />

the word istoria means at the same time “story” <strong>and</strong> “history”. Numerous istories (pl.) about<br />

the sea <strong>and</strong> the mountains speak about the history <strong>and</strong> people’s remembrances. They uncover<br />

things long gone or in de Certeau’s terms the “presences <strong>of</strong> diverse absences” (1984: 108).<br />

Similarly to de Certeau, Tilley (1994) notes that “memories continually provide modifications<br />

to a sense <strong>of</strong> place which can never be exactly the same place twice, although there may be<br />

ideological attempts to provide ‘stability’ or perceptual <strong>and</strong> cognitive fixity to a place, to<br />

reproduce sets <strong>of</strong> dominant meanings, underst<strong>and</strong>ings, representations <strong>and</strong> images” (1994: 27-<br />

28). In Ingold’s terms memories are forged with words. They are not only represented <strong>and</strong><br />

passed on in oral accounts, but they are also practices <strong>of</strong> remembering, embedded in the<br />

perception <strong>of</strong> the environment (Ingold 2000: 148). Ingold suggests that remembering is a<br />

process through which memories are generated along with the individual trajectories which<br />

each person lays down in the course <strong>of</strong> his or her life. These trajectories are never laid down<br />

solely by the people themselves but are always embedded in a historical <strong>and</strong> political context.<br />

3.2. Stories <strong>of</strong> the Sea <strong>and</strong> the Mountains<br />

3.2.1. Stories <strong>of</strong> the Sea<br />

I remember the words <strong>of</strong> Frosina, born in 1934 in Dhërmi/Drimades, in a conversation during<br />

one <strong>of</strong> those early January evenings when we were experiencing an electricity shortage. We<br />

172

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