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Figure 11: Paths <strong>and</strong> places from the story <strong>of</strong> Aghatula, born in 1944.<br />

Stories about the sea primarily locate Dhërmi/Drimades according to relations <strong>of</strong> village men<br />

with people <strong>and</strong> places in Italy, Greece or United States, while stories about the mountains<br />

rely on connections <strong>of</strong> village women with places “behind” the mountains.<br />

Aspasia has lived in Dhërmi/Drimades for all <strong>of</strong> her life. She maps the village according to<br />

her mother’s travels in “those times” (tote), when poverty prevailed in the village. Aspasia<br />

especially differentiates the village from the places behind the mountains where she locates<br />

the “bad” people. Her story again constructs the village’s “whereness” according to spatial<br />

hierarchy, which is this time conceptualised more in social than economical terms. People<br />

behind the mountains are, despite wheat <strong>and</strong> other food, considered in a negative light<br />

because the village women had <strong>of</strong>ten been robbed <strong>of</strong> their produce.<br />

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