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university of nova gorica graduate school contested spaces and ...

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strictly forbade any crossing <strong>of</strong> state borders. Any attempt at unlawful crossing was harshly<br />

punished. The road, which enabled trading <strong>and</strong> movements <strong>of</strong> people for centuries, was in<br />

1913 firstly confined – when the borders <strong>of</strong> Republic <strong>of</strong> Albania were formed – <strong>and</strong> later, in<br />

times <strong>of</strong> communism, made impassable. In his own words: “[…] later during the times <strong>of</strong> the<br />

system when the state closed the road we were forbidden to move around.”<br />

In her story Aspasia recalls memories about her mother. It takes the reader to places “[…] up<br />

there, to the places behind the mountains.” It was there where her mother used to walk<br />

together with other village women. Aspasia locates the village in opposition to the mountains<br />

<strong>and</strong> places behind them. Women in her story map the paths between the village <strong>and</strong> places<br />

behind the mountains. With their journeys recalled in the narrative they construct the space.<br />

Aspasia mentions great poverty as the main reason for journeys across the mountains. Then<br />

she “returns” from the description <strong>of</strong> space to the description <strong>of</strong> the place in mountains: Ag.<br />

P<strong>and</strong>eleimona, named after Saint Panteleimon. “In those times […] there was poverty, my<br />

daughter. They went all the way up there to the places behind the mountains. They passed Ag.<br />

P<strong>and</strong>eleimona.” From the church the story maps the path further on, to the places behind the<br />

mountains. By describing their actions (“They carried olives, olive oil […]” <strong>and</strong> exchanged<br />

the goods for food) the story strengthens the old paths, which lead across the mountains. The<br />

series activities <strong>and</strong> pertaining paths then return back to the place, to the village. In the last<br />

part <strong>of</strong> her story Aspasia, similarly to Frosina <strong>and</strong> Pavlos, focuses on the description <strong>of</strong> the<br />

village, where wheat does not grow as well as it does in places behind the mountains. “In<br />

those times we only ate corn bread; without yeast. It was hard to eat. Therefore we <strong>of</strong>ten<br />

wanted to eat normal bread from wheat which we could only get by exchange in the places<br />

behind the mountains.” In conclusion Aspasia ascribes a negative value to the places behind<br />

the mountains. Bad people, who <strong>of</strong>ten robbed the village women during their journeys back to<br />

the village, are located there. “Sometimes they came back empty-h<strong>and</strong>ed because they were<br />

robbed on their way back. There was poverty everywhere <strong>and</strong> people living behind the<br />

mountains stole food in those days… They were bad people!”<br />

Olgha tells me her story in the house <strong>of</strong> her parents. By describing the tiring work <strong>of</strong> her<br />

mother during the building <strong>of</strong> the house (“This house was built with her h<strong>and</strong>s <strong>and</strong> in her<br />

sweat”) she maps the path between the house in the village <strong>and</strong> surrounding mountains, where<br />

her mother used to gather the stones for the house. The space is again constructed through<br />

these connections. “She collected most <strong>of</strong> the material for it – the stones which she carried<br />

181

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