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192longer genre such as the research article (Nwogu, 1990:180-81), abstracts in<strong>de</strong>edconstitute a short-length genre.Another feature is synthesized by L in Chapter 3, as she states that most BRs arepositive. This is in<strong>de</strong>ed the case, since among the 58 BRs carrying Move 4, most of th<strong>em</strong>(44 or 75.86%) can be said to make a positive recommendation while only 14 (or24.13%) can be said to carry a negative evaluation.A third feature concerns the hedging quality to BRs. Between the two alternativesin Move 4, Sub-function 10B, Recommending the book <strong>de</strong>spite indicated shortcomings,is the most frequent one (56.9%) ix . This greater frequency of the hedged alternative forSub-function 10 would suggest that Wiley’s (1993) assertion that because the reviewwill probably have more rea<strong>de</strong>rs than the actual book, reviewers commonly end theirtexts with a ‘hedging tone’ (see 3.2.9). Reviewers would perform the last movegenerally with a hedging tone to make their texts look ‘safer’ and probably avoid strongreactions.Although book review editors’ and researchers’ intuitions about BRs andreviewers se<strong>em</strong> to hold true in several instances, some inconsistency has been foundconcerning text structure. Differently from Drewry’s (1966:62) interpretation of therhetorical mov<strong>em</strong>ent in BRs as an inverted pyramid (Chapter 3), a more a<strong>de</strong>quaterepresentation se<strong>em</strong>s to be the trapezoid-like figure, in which the focus shifts fromGLOBAL to LOCAL then GLOBAL again as seen in example [L#1] in Figure 5-3._______________________________________________________________________+ GLOBAL

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